Skeptophilia (skep-to-fil-i-a) (n.) - the love of logical thought, skepticism, and thinking critically. Being an exploration of the applications of skeptical thinking to the world at large, with periodic excursions into linguistics, music, politics, cryptozoology, and why people keep seeing the face of Jesus on grilled cheese sandwiches.
Showing posts with label Linear B. Show all posts
Showing posts with label Linear B. Show all posts

Thursday, September 10, 2020

Pieces of the puzzle

I'm curious about where the human drive to solve puzzles comes from.

It's a cool thing, don't get me wrong.  But you have to wonder why it's something so many of us share.  We are driven to know things, even things that don't seem to serve any particular purpose in our lives.   The process is what's compelling; many times, the answer itself is trivial, once you find it.  But still we're pushed onward by an almost physical craving to figure stuff out.

When I taught Critical Thinking, every few weeks I devoted a day to solving divergent thinking puzzles.  My rationale is that puzzle-solving is like mental calisthenics; if you want to grow your muscles, you exercise, and if you want to sharpen your intellect, you make it work.  I told the students at the outset that they were not graded and that I didn't care if they didn't get to all of them by the end of the period.  You'd think that this would be license for high school students to blow it off, to spend the period chatting, but I found that this activity was one of the ones for which I almost never had to work hard to keep them engaged, despite more than once hearing kids saying things like, "This is making my brain hurt."

Here's a sample -- one of the most elegant puzzles I've ever seen:
A census taker goes to a man's house, and asks for the ages of the man's three daughters. 
The man says, "The product of their ages is 36." 
The census taker says, "That's not enough information to figure it out." 
The man says, "Okay. The sum of their ages is equal to the house number across the street." 
The census taker looks out of the window at the house across the street, and says, "That's still not enough information to figure it out." 
The man says, "Okay. My oldest daughter has red hair." 
The census taker says thank you and writes down the ages of the three daughters. 
How old are they?
And yes, I just re-read this, and I didn't leave anything out.  It's solvable from what I've given you.  Give it a try!  (I'll post a solution in a few days.)

This drive to figure things out, even things with no immediate application, reaches its apogee in two fields that are near and dear to me: science and linguistics.  In science, it takes the form of pure research, which, as a scientist friend of mine put it, is "trying to make sense of one cubic centimeter of the universe."  To be sure, a lot of pure research results in applications afterwards, but that's not usually why scientists pursue such knowledge.  The thrill of pursuit, and the satisfaction of knowing, are motivations in and of themselves.

In linguistics, it has to do with deepening our understanding of how humans communicate, with figuring out the connections between different modes of communication, and with deciphering the languages of our ancestors.  It's this last one that spurred me to write this post; just yesterday, I finished re-reading the phenomenal book The Riddle of the Labyrinth by Margalit Fox, which is the story of how three people set out, one after the other, to crack the code of Linear B.

Linear B was a writing system used in Crete 4,500 years ago, and for which neither the sound values of the characters, nor the language they encoded, was known.  This is the most difficult possible problem for a linguist; in fact, most of the time, such scripts (of which there are a handful of other examples) remain closed doors permanently.  If you neither know what sounds the letters represent, nor what language was spoken by the people who wrote them, how could you ever decipher it?

One of the Linear B tablets found at Knossos by Arthur Evans [Image licensed under the Creative Commons vintagedept, Clay Tablet inscribed with Linear B script, CC BY 2.0]

I'd known about this amazing triumph of human perseverance and intelligence ever since I read John Chadwick's The Decipherment of Linear B when I was in college.  I was blown away by the difficulty of the task these people undertook, and their doggedness in pursuing the quest to its end.  Chadwick's book is fascinating, but Fox's is a triumph; and you're left with the dual sense of admiration at minds that could pierce such a puzzle, and wonderment at why they felt so driven.

Because once the Linear B scripts were decoded, the tablets and inscriptions turned out to be...

... inventories.  Lists of how many jugs of olive oil and bottles of wine they had, how many arrows and spears, how many horses and cattle and sheep.  No wisdom of the ancients; no gripping sagas of heroes doing heroic things; no new insights into history.

But none of that mattered.  Because of the form that the inscriptions took, Arthur Evans, Alice Kober, and Michael Ventris realized pretty quickly that this was the sort of thing that the Linear B tablets were about.  The scholars who deciphered this mysterious script weren't after a solution because they thought the inscriptions said something profound or worth knowing; they devoted their lives to the puzzle because it was one cubic centimeter of the universe that no one had yet made sense of.

That they succeeded is a testimony to this peculiar drive we have to understand the world around us, even when it seems to fall under the heading of "who cares?"   We need to know, we humans.  Wherever that urge comes from, it becomes an almost physical craving.  All three of the people whose work cracked the code were united by one trait; a desperate desire to figure things out.  Only one, in fact, had a particularly good formal background in linguistics.  The other two were an architect and a wealthy amateur historian and archaeologist.  Training wasn't the issue.  What allowed them to succeed was persistence, and methodical minds that refused to admit that a solution was out of reach.

The story is fascinating, and by turns tragic and inspirational, but by the time I was done reading it I was left with my original question; why are we driven to know stuff that seems to have no practical application whatsoever?  I completely understood how Evans, Kober, and Ventris felt, and in their place I no doubt would have felt the same way, but I'm still at a loss to explain why.  It's one of those mysterious filigrees of the human mind, which perhaps is selected for because curiosity and inquisitiveness have high survival value in the big picture, even if they sometimes push us to spend our lives bringing light to some little dark cul-de-sac of human knowledge that no one outside of the field cares, or will even hear, about.

But as the brilliant geneticist Barbara McClintock, about whom I wrote last week and whose decades-long persistence in solving the mystery of transposable elements ("jumping genes") eventually resulted in a Nobel Prize, put it: "It is a tremendous joy, the whole process of finding the answer.  Just pure joy."

**************************************

Humans have always looked up to the skies.  Art from millennia ago record the positions of the stars and planets -- and one-off astronomical events like comets, eclipses, and supernovas.

And our livelihoods were once tied to those observations.  Calendars based on star positions gave the ancient Egyptians the knowledge of when to expect the Nile River to flood, allowing them to prepare to utilize every drop of that precious water in a climate where rain was rare indeed.  When to plant, when to harvest, when to start storing food -- all were directed from above.

As Carl Sagan so evocatively put it, "It is no wonder that our ancestors worshiped the stars.  For we are their children."

In her new book The Human Cosmos: Civilization and the Stars, scientist and author Jo Marchant looks at this connection through history, from the time of the Lascaux Cave Paintings to the building of Stonehenge to the medieval attempts to impose a "perfect" mathematics on the movement of heavenly objects to today's cutting edge astronomy and astrophysics.  In a journey through history and prehistory, she tells the very human story of our attempts to comprehend what is happening in the skies over our heads -- and how our mechanized lives today have disconnected us from this deep and fundamental understanding.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]



Tuesday, July 23, 2019

Cracking the code

Being a linguistics geek, I've written before on some of the greatest "mystery languages" -- including Linear B (a Cretan script finally deciphered by Alice Kober and Michael Ventris), the still-undeciphered Linear A, and even some recent inventions like the scripts in the Voynich Manuscript and the Codex Seraphinianus (neither of which at present has been shown to represent an actual language -- they may just be strings of random symbols).

The obvious difficulty in translating a script when you do not know what language it represents starts (but doesn't come close to ending) with the problem that there are three rough categories into which written languages fall -- phonetic (where each symbol represents a sound, as in English), syllabic (where each symbol represents a syllable, as in the Japanese hiragana), and pictographic (where each symbol represents an idea, as in Chinese).  Even once you know that, deciphering the language is a daunting task.  Some languages (such as English) are usually SVO (subject-verb-object); others (such as Japanese) are SOV (subject-object-verb): a few (such as Gaelic) are VSO (verb-subject-object).  Imagine starting from zero -- knowing nothing about sound-to-character correspondence, nothing about what language is represented, nothing about the preferred word order.

Oh, and then there's the question of whether the language is inflected (words change form depending on how they're used in a sentence, such as Latin, Greek, and Finnish), agglutinative (new words are created by stringing together morphemes, such as Turkish, Tagalog, and Bantu), or isolating (words are largely invariant, and how they're used in the sentence is shown by untranslatable "markers," such as Chinese and Yoruba).

Suffice it to say the whole task is about as close to impossible as you'd like to get, making Kober and Ventris's success that much more astonishing.

A sample of the Linear B script [Image is licensed under the Creative Commons Sharon Mollerus, NAMA Linear B tablet of Pylos, CC BY 2.0]

So that's why I was so fascinated by a link sent to me by my buddy Andrew Butters (fellow author and blogger at Potato Chip Math), which describes a new AI software developed at MIT which is tackling -- and solving -- some of these linguistic conundrums.

There's just one hitch; you have to know, or at least guess at, a related language, the theory being that symbols and spellings change more slowly than pronunciation and meaning (which is one reason why English has such bizarre spelling -- consider the sounds made by the "gh" letter combination in ghost, rough, lough, hiccough, and through).  So the AI wouldn't work so well on synthetic languages like the ones in Voynich and the Codex Seraphinianus.

But otherwise, it's impressive.  Developed by Jiaming Luo and Regina Barzilay from MIT and Yuan Cao from Google's AI lab, the software was trained on sound-letter correspondences in known languages, and then allowed to tackle Linear B.  It looked for patterns such as the ones Kober and Ventris found by brute force -- the commonness of various symbols, their positions in words, their likelihood of occurring adjacent to other symbols -- and then compared that to ancient Greek.

The AI got the right answer 67% of the time.  Which is amazing for a first pass.

A press release from MIT describes the software's technique in more detail:
[T]he process begins by mapping out these relations for a specific language. This requires huge databases of text. A machine then searches this text to see how often each word appears next to every other word. This pattern of appearances is a unique signature that defines the word in a multidimensional parameter space. Indeed, the word can be thought of as a vector within this space. And this vector acts as a powerful constraint on how the word can appear in any translation the machine comes up with. 
These vectors obey some simple mathematical rules. For example: king – man + woman = queen. And a sentence can be thought of as a set of vectors that follow one after the other to form a kind of trajectory through this space. 
The key insight enabling machine translation is that words in different languages occupy the same points in their respective parameter spaces. That makes it possible to map an entire language onto another language with a one-to-one correspondence.
Which is pretty damn cool.  What they're planning on tackling next, I don't know.  After all, there are a great many undeciphered (or poorly understood) scripts out there, so I suspect there are a lot to choose from.  In any case, it's an exciting step toward solving some long standing linguistic mysteries -- and being able to hear the voices of people who have been silent for centuries.

************************************

The subject of Monday's blog post gave me the idea that this week's Skeptophilia book recommendation should be a classic -- Konrad Lorenz's Man Meets Dog.  This book, written back in 1949, is an analysis of the history and biology of the human/canine relationship, and is a must-read for anyone who owns, or has ever owned, a doggy companion.

Given that it's seventy years old, some of the factual information in Man Meets Dog has been superseded by new research -- especially about the genetic relationships between various dog breeds, and between domestic dogs and other canid species in the wild.  But his behavioral analysis is impeccable, and is written in his typical lucid, humorous style, with plenty of anecdotes that other dog lovers will no doubt relate to.  It's a delightful read!

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]






Friday, December 21, 2018

Mystery disk

I'm always fascinated by a good mystery, and that's definitely the appropriate category for an artifact called the Phaistos Disk.

Found in the Minoan palace of Phaistos, on the island of Crete, in 1908, the Phaistos Disk is fifteen centimeters in diameter, made of fired ceramic clay, and (most interestingly) has an inscription on it.  Here's a photograph:



The Disk is thought to have been made in the second millennium B.C.E., making it approximately contemporaneous with the Linear B script of Crete, which was successfully deciphered in the early 1950s by Alice Kober, Michael Ventris, and John Chadwick.  This accomplishment was the first time that anyone had cracked a script where not only was the sound/letter correspondence unknown, but it wasn't even known what language the script was representing.  (As it turned out, it was an early form of Mycenaean Greek.  Earlier guesses were that it represented Etruscan, a proto-Celtic language, or even Egyptian.  The script itself was mostly syllabic, with one symbol representing a syllable rather than a single sound, and a few ideograms thrown in just to make it more difficult.)

The problem is, the Phaistos Disk is not Linear B.  Nor is it Linear A, an earlier script which remains undeciphered despite linguists' best attempts at decoding it.  The difficulty here is that the Phaistos Disk has only 242 different symbols, which is not enough to facilitate translation.  Once again, we're not sure what the language is, although it's a good guess that it's some form of Greek (other linguists have suggested it might be Hittite or Luwian, both languages spoken in ancient Anatolia (now Turkey), and which had their own alphabet that bears some superficial similarities to the symbols on the Disk).

This lack of information has led to wild speculation.  Various people have claimed it's a prayer, a calendar, a story, a board game, and a geometric theorem, although how the hell you'd know any of that when you can't even begin to read the inscription is beyond me.  But it only gets weirder from there.  Friedhelm Will and Axel Hausmann back in 2002 said that the Disk "comes from the ruins of Atlantis."   Others have suggested it's of extraterrestrial origin.  (Admit it, you knew the aliens were going to show up here somehow.)

Others, more prosaically, think it's a fake.  In 2008 archaeologist Jerome Eisenberg proclaimed the Disk a modern hoax, most likely perpetrated by Luigi Pernier, the Italian archaeologist who claimed to have discovered it.  Eisenberg cites a number of pieces of evidence -- differences in the firing and in how the edges were cut, as compared to other ceramic artifacts from the same period; the fact that it's incredibly well-preserved considering how old it supposedly is; and vague similarities to Linear A and Linear B characters, with various odd ones thrown in (Eisenberg says the symbols were chosen to be "credible but untranslatable" and selected "cleverly... to purposely confuse the scholarly world."

Of course, this didn't settle the controversy.  Archaeologist Pavol Hnila cites four different artifacts, all discovered after the Disk, that have similar characters to the ones on the Disk, and that there is not enough evidence to warrant accusing Pernier and his team of something as serious as a deliberate hoax.

So the mystery endures, as mysteries are wont to do.  I find this fascinating but more than a little frustrating -- to know that there is an answer, but to accept that we may never find out what it is.  That's the way it goes, though.  If you're a true skeptic, you have to be willing to remain in ignorance, indefinitely if need be, if there is insufficient evidence to decide one way or the other.  This leaves the Phaistos Disk in the category of "Wouldn't this be fun to figure out?" -- a designation that is as common in science as it is exasperating.

********************************

This week's Skeptophilia book recommendation is Michio Kaku's The Physics of the Impossible.  Kaku takes a look at the science and technology that is usually considered to be in the realm of science fiction -- things like invisibility cloaks, replicators, matter transporters, faster-than-light travel, medical devices like Star Trek's "tricorders" -- and considers whether they're possible given what we know of scientific law, and if so, what it would take to develop them.  In his signature lucid, humorous style, Kaku differentiates between what's merely a matter of figuring out the technology (such as invisibility) and what's probably impossible in a a real and final sense (such as, sadly, faster-than-light travel).  It's a wonderful excursion into the power of the human imagination -- and the power to make at least some of it happen.

[If you purchase the book from Amazon using the image/link below, part of the proceeds goes to supporting Skeptophilia!]





Thursday, March 5, 2015

Piecing together the puzzle

I'm curious about where the human drive to solve puzzles comes from.

It's a cool thing, don't get me wrong.  But you have to wonder why it's something so many of us share.  We are driven to know things, even things that don't seem to serve any particular purpose in our lives.  The process is what's compelling; many times, the answer itself is trivial, once you find it.  But still we're pushed onward by an almost physical craving to figure stuff out.

Every few weeks I devote a day in my Critical Thinking classes to solving divergent thinking puzzles.  My rationale is that puzzle-solving is like mental calisthenics; if you want to grow your muscles, you exercise, and if you want to sharpen your intellect, you make it work.  I tell the students at the outset that they're not graded and that I don't care if they don't get to all of them by the end of the period.  You'd think that this would be license for high school students to blow it off, to spend the period chatting, but I find that this activity is one of the ones for which I almost never have to work hard to keep them engaged, despite more than once hearing kids saying things like, "This is making my brain hurt."

Here's a sample -- one of the most elegant puzzles I've ever seen:
A census taker goes to a man's house, and asks for the ages of the man's three daughters. 
The man says, "The product of their ages is 36." 
The census taker says, "That's not enough information to figure it out." 
The man says, "Okay.  The sum of their ages is equal to the house number across the street." 
The census taker looks out of the window at the house across the street, and says, "That's still not enough information to figure it out." 
The man says, "Okay.  My oldest daughter has red hair." 
The census taker says thank you and writes down the ages of the three daughters. 
How old are they?
And yes, I just re-read this, and I didn't leave anything out.  It's solvable from what I've given you.  Give it a try!

This drive to figure things out, even things with no immediate application, reaches its apogee in two fields that are near and dear to me: science and linguistics.  In science, it takes the form of pure research, which, as a scientist friend of mine put it, is "trying to make sense of one cubic centimeter of the universe."  To be sure, a lot of pure research results in applications afterwards, but that's not usually why scientists pursue such knowledge.  The thrill of pursuit, and the satisfaction of knowing, are motivations in and of themselves.

In linguistics, it has to do with deepening our understanding of how humans communicate, with figuring out the connections between different modes of communication, and with deciphering the languages of our ancestors.  It's this last one that spurred me to write this post; just yesterday, I finished reading the phenomenal book The Riddle of the Labyrinth by Margalit Fox, which is the story of how three people set out, one after the other, to crack the code of Linear B.

Linear B was a writing system used in Crete 4,500 years ago, and for which neither the sound values of the characters, nor the language they encoded, was known.  This is the most difficult possible problem for a linguist; in fact, most of the time, such scripts (of which there are a handful of other examples) remain closed doors permanently.  If you neither know what sounds the letters represent, nor what language was spoken by the people who wrote them, how could you ever decipher it?

One of the Linear B tablets found at Knossos by Arthur Evans [image courtesy of the Wikimedia Commons]

I'd known about this amazing triumph of human perseverance and intelligence ever since I read John Chadwick's The Decipherment of Linear B when I was in college.  I was blown away by the difficulty of the task these people undertook, and their doggedness in pursuing the quest to its end.  Chadwick's book is fascinating, but Fox's is a triumph; and you're left with the dual sense of admiration at minds that could pierce such a puzzle, and wonderment at why they felt so driven.

Because once the Linear B scripts were decoded, the tablets and inscriptions turned out to be...

... inventories.  Lists of how many jugs of olive oil and bottles of wine they had, how many arrows and spears, how many horses and cattle and sheep.  No wisdom of the ancients; no gripping sagas of heroes doing heroic things; no new insights into history.

But none of that mattered.  Because of the form that the inscriptions took, Arthur Evans, Alice Kober, and Michael Ventris realized pretty quickly that this was the sort of thing that the Linear B tablets were about.  The scholars who deciphered this mysterious script weren't after a solution because they thought the inscriptions said something profound or worth knowing; they devoted their lives to the puzzle because it was one cubic centimeter of the universe that no one had yet made sense of.

That they succeeded is a testimony to this peculiar drive we have to understand the world around us, even when it seems to fall under the heading of "who cares?"  We need to know, we humans.  Wherever that urge comes from, it becomes an almost physical craving.  All three of the people whose work cracked the code were united by one trait; a desperate desire to figure things out.  Only one, in fact, had a particularly good formal background in linguistics.  The other two were an architect and a wealthy amateur historian and archaeologist.  Training wasn't the issue.  What allowed them to succeed was persistence, and methodical minds that refused to admit that a solution was out of reach.

The story is fascinating, and by turns tragic and inspirational, but by the time I was done reading it I was left with my original question; why are we driven to know stuff that seems to have no practical application whatsoever?  I completely understood how Evans, Kober, and Ventris felt, and in their place I no doubt would have felt the same way, but I'm still at a loss to explain why.  It's one of those mysterious filigrees of the human mind, which perhaps is selected for because curiosity and inquisitiveness have high survival value in the big picture, even if they sometimes push us to spend our lives bringing light to some little dark cul-de-sac of human knowledge that no one outside of the field cares, or will even hear, about.

But as the brilliant geneticist Barbara McClintock, whose decades-long persistence in solving the mystery of transposable elements ("jumping genes") eventually resulted in a Nobel Prize, put it:  "It is a tremendous joy, the whole process of finding the answer.  Just pure joy."