Skeptophilia (skep-to-fil-i-a) (n.) - the love of logical thought, skepticism, and thinking critically. Being an exploration of the applications of skeptical thinking to the world at large, with periodic excursions into linguistics, music, politics, cryptozoology, and why people keep seeing the face of Jesus on grilled cheese sandwiches.
Showing posts with label The Little Mermaid. Show all posts
Showing posts with label The Little Mermaid. Show all posts

Tuesday, September 20, 2022

Fish tales

Undoubtedly you are aware of the outrage from people on the anti-woke end of the spectrum about Disney's choice of Black actress Halle Bailey to play Ariel in their upcoming live-action remake of The Little Mermaid.

This is just the latest in a very long line of people getting their panties in a twist over what fictional characters "really" are, all of which conveniently ignores the meaning of the words "fictional" and "really."  Authors, screenwriters, and casters are free to reimagine a fictional character any way they want to -- take, for example, the revision of The Wizard of Oz's Wicked Witch of the West into the tortured heroine in Gregory Maguire's novel (and later Broadway hit) Wicked.  This one didn't cause much of a stir amongst the I Hate Diversity crowd, though, undoubtedly because the character of the Witch stayed green the whole time.

But that's the exception.  In the past, we've had:

The current uproar, of course, is worse; not only is it blatantly racist, it's aimed at a real person, the actress who will play Ariel.  But these lunatics show every day that they care more about fictional characters than they do about actual people; note that the same folks screeching about Black mermaids seem to have zero problem with using public funds to transport actual living, breathing human beings to another state, where they were dropped on a street corner like so much refuse, in order to own the libs.

Oh, but you can't mess about with the skin color of mermaids.  In fact, the outrage over this was so intense that it has triggered some of them to invoke something they never otherwise give a second thought to:

Science.

Yes, if you thought this story couldn't get any more idiotic, think again.  Now we have members of the Mermaid Racial Purity Squad claiming that mermaids can't be Black, because they live underwater, and if you're underwater you can't produce melanin.

I wish I was making this up.  Here's a direct quote:

Mermaids live in ocean.  Underwater = limited sunlight.  Limited sunlight = less melanin.  Less melanin = lighter skin color.  Because they live underwater, which has no access to light beyond a certain depth, Ariel and every other mermaid in existence would be albino.

And another:

Correct me if I'm wrong.  But isn't it physically impossible for Ariel to be black?  She lives underwater, how would the sun get to her for her to produce melanin?!  Nobody thought this through..?

Okay, well, correct me if I'm wrong, but applying science to a movie in which there's a singing, dancing crab, a sea witch with octopus legs, and a character named Flounder who clearly isn't a flounder is kind of a losing proposition from the get-go.

Fig. 1.  Flounder from The Little Mermaid.

Fig. 2.  An actual flounder.

Plus, there are plenty of underwater animals that aren't white, which you'd think would occur to these people when they recall the last science book they read, which was One Fish Two Fish Red Fish Blue Fish by Dr. Seuss.

Oh, and another thing.  It's an ironic fact that the squawking knuckle-draggers who complain about "wokeness" every time some fictional character they like isn't played by a White American and are the same ones who pitch a fit at any kind of representation of diversity, be it in books, movies, music, or whatever, conveniently overlook the fact that (1) Hans Christian Andersen, who wrote The Little Mermaid, was bisexual, and (2) there's a credible argument that the original story itself was inspired by his grief at having his romantic advances rejected by his friend Edvard Collin.  (In fact, in the original story, the mermaid doesn't marry the prince -- he goes off and marries a human girl, just as Collin himself did, and the mermaid weeps herself to death.  Not a fan of happy endings, Andersen.)

Anyhow, anti-woke people, do go on and tell me more about "reality" and "what science says."  Hell, have at it, apply science anywhere you want.  Start with climate change and environmental policy if you like.  Or... does it only matter to you when the subject is people who aren't the right color, gender, ethnic origin, nationality, or sexual orientation?

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Saturday, July 6, 2019

Mermaid evolution

In further evidence that we're all part of a computer simulation being run by aliens, but the aliens have gotten tired of even trying to make things plausible and now are just fucking with us, we have: racists arguing that Ariel from The Little Mermaid should be white because real mermaids have light skin.

I know I say "I wish I was making this up" a lot, but merciful heavens above, I really wish I was making this one up.  Sadly, this is the truth.  When it was announced that African American actress Halle Bailey was going to be playing Ariel in the upcoming live-action version, racists throughout the United States took a break from sharpening the tips of their pointy white hats to have a complete meltdown.

In fact, I had a brief encounter with one of them on Twitter a couple of days ago.  She had posted this:
I'm sick of political correctness.  Making Ariel black is ridiculous.  The real Ariel was white and had red hair.
I responded:
Perhaps we should review the definition of real.
She responded with admirable articulateness:
Fuck you asshole.
I followed up with a gif that I have had increasing use for lately:


She responded:
FUCK YOU.
So I guess she told me.

Of course, she's not the only one who feels this way, which I found out when I ran into an article in Indy100 describing how the racists were using science to explain why Ariel should be white.

In case you don't believe me, how about this example of brilliant, peer-reviewed research on real mermaids:
My opinion on why mermaids are white is that they live so deep underwater that sunlight hardly reaches them, thus the lack of melanin.  It doesn't matter what ocean they're from cos they could've been migrating seasonally like fishes.  But maybe im thinking too much.
No, trust me, "thinking too much" is the last thing you'd ever be accused of.

Then there was this sterling piece of logic:
For those saying mermaids don't exist and Ariel being black is not impossible, you know what does exist?  Science. 
Mermaids are part fish.

Fishes live in the sea.

There is no sunlight under the sea.

Therefore, mermaids wouldn't evolve pigmented skin to protect against it!!!
Mermaid evolution.  And no sunlight under the sea.  So everything that lives in the sea is white.

Because science.

Then there was this:
Ariel can't even be black because of science behind it because of her and her ancestors living in water and so they are never exposed to strong sun rays.  the stupidity behind this... 
Which got this response, put better than I possibly could have:
bitch there is literally a singing crab in the movie & u worried about scientific accuracy.  stfu.
For sheer disconnect with reality, however, you can't beat this one:
My children were raised with Ariel.  She's an icon in the eyes of many children & adults of today.  To change her race is absurd.  That would be like someone making a movie about Opra [sic] Winfrey, and hiring a white girl to play Opra.  Opra is an icon.  We wouldn't want to change her.
Besides being an icon, Oprah Winfrey is, unlike Ariel the Mermaid, a real person.  For fuck's sake.

The news isn't all bad, though.  The most touching response to all the howling racists came from Twitter user Morgan Jarrett, @msmorganjarrett:
As a white-skinned redhead, I have very strong feelings about #TheLittleMermaid.  Ariel changed my ginger world.  The mean "jokes" ended.  I became envied for my hair.

And you know what?  I want little black girls to experience that same feeling with new Ariel.
 Beautiful.  Now there's how people should be responding.

So to all the racists who have your knickers in a twist: fine, don't go see the movie.  I don't think Disney's going to miss you.  Go back to your little white caves with your little white friends, confident that the entire universe should be arranged so as to comfort your prejudices.  File under "political correctness" any movement in the United States toward acknowledging the people in the world -- which, by the bye, make up well over 50% of the Earth's population -- who have darker skin than you do.

But know this.  Your numbers are dwindling.  Most of us are just fine with people who don't look like us, talk like us, or dress like us.

And that includes mermaids.

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This week's Skeptophilia book recommendation is about a subject near and dear to me: sleep.

I say this not only because I like to sleep, but for two other reasons; being a chronic insomniac, I usually don't get enough sleep, and being an aficionado of neuroscience, I've always been fascinated by the role of sleep and dreaming in mental health.  And for the most up-to-date analysis of what we know about this ubiquitous activity -- found in just about every animal studied -- go no further than Matthew Walker's brilliant book Why We Sleep: Unlocking the Power of Sleep and Dreams.

Walker, who is a professor of neuroscience at the University of California - Berkeley, tells us about what we've found out, and what we still have to learn, about the sleep cycle, and (more alarmingly) the toll that sleep deprivation is taking on our culture.  It's an eye-opening read (pun intended) -- and should be required reading for anyone interested in the intricacies of our brain and behavior.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]






Monday, March 4, 2019

Bibbity bobbity bullshit

This weekend, I stumbled upon one of those websites that is such a distilled bottle of crazy that I just have to tell you about it.  It involves the BBC, Walt Disney, Satan, Madonna, the Illuminati, the Jews, J. Edgar Hoover, the Hapsburg dynasty, O. J. Simpson, Donny Osmond, and the Mouseketeers.

Among other things.  If I listed everything these people tried to connect, that'd be my whole post.  The site, called This Present Crisis, brings not only "wingnuttery" but "wall of text" to new heights.  So let me see if I can summarize, here:

First, let's start by saying that Walt Disney was a bad, bad man.  This is in part because his family name really shouldn't be Disney, but d'Isgny, which is what it was when the first Disney came over from Normandy in 1066 with William the Conqueror.  The name was anglicized to "Disney" and the family has been traveling under an assumed name ever since, which is evil since apparently they're the only ones who ever did this.  As evidence, we're told that Walt's cousin, Wesley Ernest Disney, was a lawyer in Muskogee County, Oklahoma, a county which is controlled by Satan.  Wesley was also a Freemason, and later lived in Tulsa, which is "a powerful city of the Illuminati hierarchy."  And I think we can all agree that being an evil Illuminati mind-control agent is the only possible explanation for someone choosing to live in both Muskogee and Tulsa.

Yes. Apparently, they is.

But back to Cousin Walt.  Walt Disney, the site says, started off bad and got worse.  He was an "occult sadistic porn king," evidently, and if that wasn't bad enough, he went on to make the movie Bambi:
The Hapsburgs of the 13th Illuminati bloodline had a sex salon in Vienna where a porn photographer named Felix Salten worked.  Felix… wrote a book Bambi which was then translated into English by the infamous communist Whittaker Chambers.  The elite were just beginning to form the roots for today’s environmental movement.  The book appealed to Disney because Disney liked animals better than people.  In the book, tame animals view humans as gods; while the wild and free animals see humans as demons…  The book begins with both free and tame animals viewing humans as rightly having dominion over them.  In the end, the animals view all humans as simply being on the same level as animals, a vicious animal only fit to be killed…
Well, I'm not sure that's exactly the message of the movie, frankly.  I will admit that I was amongst the children traumatized by the death of Bambi's mommy, but now with the wisdom of age and the experience of having collided with four deer in one six-month period, resulting in a total of $20,000 of damage to our various cars, I'm finding myself siding with the hunter.  The hunter probably would have been doing humanity a service by offing Bambi as well, and maybe Thumper, too.

But anyway. Disney somehow connects to the BBC, which was also inspired by Satan, because if you take a BBC jingle from the 1930s and play it backwards, it says, "Live in sin.  Lucifer is nice.  Lucifer exploit them."  The BBC is controlled by Freemasons, who were also influencing Disney to do more bad stuff, like putting subliminal sexual messages in movies like The Little Mermaid.

So finally things got so bad that J. Edgar Hoover got involved.  (Yes, I know that Hoover died seventeen years before The Little Mermaid was released.  Just bear with me, here.)  Hoover found out that Disney had no birth certificate, and apparently, didn't know who his parents were.  So he provided Disney with a fake birth certificate, which Disney then showed to his parents (yes, I know that one sentence ago I said that he didn't have parents.  I'm as confused as you are).  His father committed suicide and his mother lived the rest of her life as his maid.  Hoover did all of this so he could blackmail Disney.

Anyhow, Disney was in trouble after all of that, so he appealed to the Rothschild family, which is bankrolled by Jews (you knew they'd be involved) and (more) Freemasons.  The Rothschilds were the ones who helped lawyer Johnnie Cochran to win his case and free O. J. Simpson, which somehow connects to Disney.  Don't ask me how.   By this time, Disney was a multimillionaire, and had mind-control child slaves called Mouseketeers to do his every bidding.

Then Donny and Marie Osmond get involved.  The Osmonds are actually "programmed multiples," meaning that there are dozens of identical Donnies and Maries, as if one of each wasn't enough, because this is the only way that they could do two hundred shows a year without dropping dead of exhaustion.  Because their dad is a member of the Mormon Illuminati or something, although the site isn't clear on this point.

The author also ties in Madonna, Michael Jackson, George Lucas, and the Mafia.  (Of course the Mafia are involved.  Being bad guys, they'd have to be.)  But by this time, the neurons in my prefrontal cortex were beginning to scream for mercy, so I'm just going to leave you to take a look at the site yourself, if you dare.

Now, don't get me wrong.  I'm no great fan of Disney myself. I think their movies are largely stereotypical schlock, and their "planned community" of Celebration, Florida, where everything is owned by Disney, is downright creepy.  Hating crowds and noise the way I do, if I was offered the choice of a visit to Disneyland or a colonoscopy by Edward Scissorhands, I'd have to think about it.   And whenever I hear the song "It's a Small World After All" I want to stick any available objects in my ears, even if those objects are fondue forks.

But I'm doubtful that any of the Illuminati conspiracy stuff is real.  If it were, don't you think more Americans would be brainless zombies?  (Although considering how many people still support Donald Trump...)  Anyhow, I'm sorry, but "bibbity bobbity boo" is not some kind of coded message from the Freemasons.  Most of us have seen many Disney movies and come out none the worse for wear.  Even I sat through The Little Mermaid, under some conditions of duress, and I wasn't aware of any subtle sexual messages, although as a biologist it did bother me that the character "Flounder" was clearly not a flounder.

So this entire website strikes me as lunacy.  Entertaining, in a bizarre sort of way, but lunacy.

Except for the the thing about the Mouseketeers.  Anyone who is willing to dance around while wearing those ear-hats is clearly being controlled by an evil power of some kind.

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This week's Skeptophilia book recommendation is not only a fantastic read, it's a cautionary note on the extent to which people have been able to alter the natural environment, and how difficult it can be to fix what we've trashed.

The Control of Nature by John McPhee is a lucid, gripping account of three times humans have attempted to alter the outcome of natural processes -- the nearly century-old work by the Army Corps of Engineers to keep the Mississippi River within its banks and stop it from altering its course down what is now the Atchafalaya River, the effort to mitigate the combined hazards of wildfires and mudslides in California, and the now-famous desperate attempt by Icelanders to stop a volcanic eruption from closing off their city's harbor.  McPhee interviews many of the people who were part of each of these efforts, so -- as is typical with his writing -- the focus is not only on the events, but on the human stories behind them.

And it's a bit of a chilling read in today's context, when politicians in the United States are one and all playing a game of "la la la la la, not listening" with respect to the looming specter of global climate change.  It's a must-read for anyone interested in the environment -- or in our rather feeble attempts to change its course.

[If you purchase the book from Amazon using the image/link below, part of the proceeds goes to supporting Skeptophilia!]