Skeptophilia (skep-to-fil-i-a) (n.) - the love of logical thought, skepticism, and thinking critically. Being an exploration of the applications of skeptical thinking to the world at large, with periodic excursions into linguistics, music, politics, cryptozoology, and why people keep seeing the face of Jesus on grilled cheese sandwiches.
Showing posts with label prehistoric art. Show all posts
Showing posts with label prehistoric art. Show all posts

Thursday, February 1, 2024

Paleobling

We are hardly the only animal species that sports adornments, but most of the others -- bright colors, flashy feathers, ornate fins, and so on -- are created by genes and produced by the animal's own body.  We're one of the only ones who fashion those adornments out of other objects.

It's a curious thing when you think about it.  Virtually everyone wears clothes even when there's no particular necessity for purposes of protection or warmth; and a great many of us don such accessories as ties, scarves, hats, necklaces, bracelets, and rings.  The significance of these objects is largely culturally-determined (e.g. in western society a guy wearing a tie is a professional, someone with a ring on the fourth left finger is probably married, and so on).  Some have ritual meanings (clothing or jewelry that marks you as belonging to a particular religion, for example).  Others are simply for the purpose of increasing attractiveness to one's preferred gender.

But the odd fact remains that in the animal world, such items are almost entirely confined to the human species.

However such practices got started, what's certain is that they go back a long way.  A study that came out in Nature this week, by a team led by Jack Baker of the University of Bordeaux, has shown that not only does jewelry-making and wearing go back at least 34,000 years, the jewelry styles of prehistoric Europe belong to nine discernibly different styles -- suggesting that beads, necklaces, and the like may have been used as markers for belonging to particular cultures.

A few of the shells, beads, teeth, and other trinkets used in the Baker et al. study

The study was comprehensive, analyzing artifacts from Paviland, Wales east to Kostenki, Russia, and covering a period of nearly ten thousand years.  "We've shown that you can have two [distinct] genetic groups of people who actually share a culture," Baker said.  "In the East, for example, they were very, very much more focused on ivory, on teeth, on stone.  But on the other side of the Alps, people would have adorned themselves with really flamboyant colors: reds, pinks, blues, really vibrant colors.  If you were to see one person from each group, you could say, ‘He's from the East, and he's from the West,’ at a quick glance."

The intricacy and complexity of a particular adornment, Baker said, were probably reflective of wealth or social status -- just as they are today.

Interestingly, there was no particularly good correlation between the genetic relatedness of two groups and the similarity in their jewelry.  As Baker put it, "This study has shown really nicely that genetics does not equal culture."

Given its ubiquity -- there are very few cultures that don't wear some sort of jewelry -- you have to wonder how it got started.  Who was the first early human who thought, "Hey, I could string this shell on a piece of leather and hang it around my neck"?  Why would that thought have occurred to him/her?

And how did the other early humans react?  I picture them looking at their necklace-wearing friend and saying something like the Gary Larson/The Far Side line, "Hey!  Look what Zog do!"

It's interesting to try to consider it from the standpoint of an alien scientist studying anthropology.  How would you answer the question, "Why are you wearing that bracelet?"  Okay, you think it looks good, but why?

I'm not sure I have an answer to that.

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Friday, December 4, 2020

Becoming human

I think one of the uniting characteristics of the topics that interest me is that they all have something to do with altering our perception of the commonplace reality around us.

This capacity for (in writer Kathryn Schulz's words) "seeing the world as it isn't" led me to writing fiction, but also to the weird and counterintuitive bits of quantum physics, the expansive vision of astronomy, and the fields studying that which no longer exists -- history, archaeology, paleontology.  It's this last one that brings this whole topic up, with a pair of discoveries revealed this week that leave me kind of awestruck.

The first, which came my way from my buddy Andrew Butters over at the wonderful blog Potato Chip Math, is about the discovery in South Africa of a two-million-year-old skull of Paranthropus robustus, a hominin considered a "cousin species" that coexisted with our direct ancestor species Homo erectus.

The find is remarkable from a number of perspectives, not least that a complete skull of any hominin is pretty unusual.  "Most of the fossil record is just a single tooth here and there so to have something like this is very rare, very lucky," said Angeline Leece, who participated in the research.  She added an evocative description of what the world was like when the owner of this skull was still alive and loping around on the African savanna.  "These two vastly different species, Homo erectus with their relatively large brains and small teeth, and Paranthropus robustus with their relatively large teeth and small brains, represent divergent evolutionary experiments,"  Leece said.  "Through time, Paranthropus robustus likely evolved to generate and withstand higher forces produced during biting and chewing food that was hard or mechanically challenging to process with their jaws and teeth — such as tubers.  Future research will clarify whether environmental changes placed populations under dietary stress and how that impacted human evolution."

It's fascinating to imagine what the world was like to these creatures, during a time when there were several intelligent hominin species coexisting.  I remember my evolutionary biology professor making that point; a lot of our attitude that species are these hard-and-fast little cubbyholes comes from the fact that we have no near relatives still alive.  Much more common in the natural world are groups of closely-related species all competing and coexisting.

But it's still a little hard to picture wandering around the place and seeing other human-like, but not-quite-human, animals out there doing their thing.

It also bears keeping in mind that the other animal species they'd have been around weren't like the ones today, either.  This point was driven home by the second discovery revealed this week, of a twelve-thousand-year-old frieze of cliffside paintings in Cerro Azul, Colombia, that show not only the usual assemblage of South American animals -- snakes, alligators, turtles, bats, monkeys, porcupines -- but mastodons, giant sloths, camelids, and some sort of three-toed ungulate with a trunk.

"These really are incredible images, produced by the earliest people to live in western Amazonia," said Mark Robinson, an archaeologist at the University of Exeter, who participated in the study.  "The paintings give a vivid and exciting glimpse in to the lives of these communities.  It is unbelievable to us today to think they lived among, and hunted, giant herbivores, some which were the size of a small car."

A small part of the Cerro Azul frieze

The size, scope, and detail of the drawings is phenomenal.  The paintings were made with ochre, a yellowish or reddish mineral, and cover the cliff face not only for miles horizontally, but for almost twenty meters vertically.  Whatever the purpose of this art -- whether it was purely decorative or had some kind of magical or symbolic significance -- the artists certainly were highly motivated.  Some parts of the frieze would have required ladders or climbing equipment to create, pretty impressive for what was at the time a more or less pre-technological society.

"These rock paintings are spectacular evidence of how humans reconstructed the land, and how they hunted, farmed and fished," said archaeologist José Iriarte, also of the University of Exeter.  "It is likely art was a powerful part of culture and a way for people to connect socially.  The pictures show how people would have lived amongst giant, now extinct, animals, which they hunted."

I find it fascinating that even back then -- at the tail end of the last Ice Age, when merely surviving must have been a challenge -- people were creating art.  And the fact that much of that art was depicting animals no longer extant adds a whole other layer of mind-boggling to the find.  This, and the South African skull discovery, give us a window into understanding how we became human -- how we went from savanna-dwelling apes to intelligent beings who have art, music, literature, science, and technology.

It's a journey that took us from the East African Rift Valley to pretty much every point on the surface of the Earth -- and has driven us along the way to look with wonder into the unknown vastness of the universe.  As Carl Sagan so poignantly put it, "We are a way for the cosmos to know itself."

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One of the most compellingly weird objects in the universe is the black hole -- a stellar remnant so dense that it warps space into a closed surface.  Once the edge of that sphere -- the event horizon -- is passed, there's no getting out.  Even light can't escape, which is where they get their name.

Black holes have been a staple of science fiction for years, not only for their potential to destroy whatever comes near them, but because their effects on space-time result in a relativistic slowdown of time (depicted brilliantly in the movie Interstellar).  In this week's Skeptophilia book-of-the-week, The Black Hole Survival Guide, astrophysicist Janna Levin describes for us what it would be like to have a close encounter with one of these things -- using the latest knowledge from science to explain in layperson's terms the experience of an unfortunate astronaut who strayed too close.

It's a fascinating, and often mind-blowing, topic, handled deftly by Levin, where the science itself is so strange that it seems as if it must be fiction.  But no, these things are real, and common; there's a huge one at the center of our own galaxy, and an unknown number of them elsewhere in the Milky Way.  Levin's book will give you a good picture of one of the scariest naturally-occurring objects -- all from the safety of your own home.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]