Skeptophilia (skep-to-fil-i-a) (n.) - the love of logical thought, skepticism, and thinking critically. Being an exploration of the applications of skeptical thinking to the world at large, with periodic excursions into linguistics, music, politics, cryptozoology, and why people keep seeing the face of Jesus on grilled cheese sandwiches.
Showing posts with label amino acids. Show all posts
Showing posts with label amino acids. Show all posts

Wednesday, March 29, 2023

The biochemical symphony

Sometimes I run into a piece of scientific research that's so odd and charming that I just have to tell you about it.

Take, for example, the paper that appeared in ACS Nano that ties together two of my favorite things -- biology and music.  It has the imposing title, "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," and was authored by Chi-Hua Yu, Zhao Qin, Francisco J. Martin-Martinez, and Markus J. Buehler, all of the Massachusetts Institute of Technology.  Their research uses a fascinating lens to study protein structure: converting the amino acid sequence and structure of a protein into music, then having an AI software study the musical pattern that results as a way of learning more about how proteins function -- and how that function might be altered.

What's cool is that the musical note that represents each amino acid isn't randomly chosen.  It's based on the amino acid's actual quantum vibrational frequency.  So when you listen to it, you're not just hearing a whimsical combination of notes based on something from nature; you're actually hearing the protein itself.

[Image licensed under the Creative Commons © Nevit Dilmen, Music 01754, CC BY-SA 3.0]

In an article about the research in MIT News, written by David L. Chandler, you can hear clips from the Yu et al. study.  I recommend the second one especially -- the one titled "An Orchestra of Amino Acids" -- which is a "sonification" of spider silk protein.  The strange, percussive rhythm is kind of mesmerizing, and if someone had told me that it was a composition by an avant-garde modern composer -- Philip Glass, perhaps, or Steve Reich -- I would have believed it without question.  But what's coolest about this is that the music actually means something beyond the sound.  The AI is now able to discern the difference between some basic protein structures, including two of the most common -- the alpha-helix (shaped like a spring) and the beta-pleated-sheet (shaped like the pleats on a kilt -- because they sound different.  This gives us a lens into protein function that we didn't have before.  "[Proteins] have their own language, and we don’t know how it works," said Markus Buehler, who co-authored the study.  "We don’t know what makes a silk protein a silk protein or what patterns reflect the functions found in an enzyme.  We don’t know the code."

But this is exactly what the AI, and the scientists running it, hope to find out.  "When you look at a molecule in a textbook, it’s static," Buehler said.  "But it’s not static at all.  It’s moving and vibrating.  Every bit of matter is a set of vibrations.  And we can use this concept as a way of describing matter."

This new approach has impressed a lot of people not only for its potential applications, but from how amazingly creative it is.  This is why it drives me nuts when people say that science isn't a creative process. They apparently have the impression that science is pure grunt work, inoculating petri dishes, looking at data from particle accelerators, analyzing rock layers.  But at its heart, the best science is about making connections between disparate ideas -- just like this research does -- and is as deeply creative as writing a symphony.

"Markus Buehler has been gifted with a most creative soul, and his explorations into the inner workings of biomolecules are advancing our understanding of the mechanical response of biological materials in a most significant manner," said Marc Meyers, professor of materials science at the University of California at San Diego, who was not involved in this work.  "The focusing of this imagination to music is a novel and intriguing direction. his is experimental music at its best.  The rhythms of life, including the pulsations of our heart, were the initial sources of repetitive sounds that engendered the marvelous world of music.  Markus has descended into the nanospace to extract the rhythms of the amino acids, the building blocks of life."

What is most amazing about this is the potential for the AI, once trained, to go in reverse -- to be given an altered musical pattern, and to predict from that what the function of a protein engineered from that music would do.  Proteins are perhaps the most fundamental pieces of living things; the majority of genes do what they do by making proteins, which then guide processes within the organism (including frequently affecting other genes).  The idea that we could use music as a lens into how our biochemistry works is kind of stunning.

So that's your science-is-so-freaking-cool moment for the day.  I peruse the science news pretty much daily, looking for intriguing new research, but this one's gonna be hard to top.  Now I think I'm going to go back to the paper and click on the sound links -- and listen to the proteins sing.

****************************************



Tuesday, August 25, 2020

The left-handed universe

I first ran into the concept of chirality when I was a fifteen-year-old Trekkie science fiction nerd.

I grew up watching the original Star Trek, which impressed the hell out of me as a kid even though rewatching some of the episodes now generates painful full-body cringes at the blatant sexism and near-jingoistic chauvinism.  Be that as it may, after going through the entire series I don't even know how many times, I started reading some of the fan fiction.

The fan fiction, of course, was more uneven than the show had been.  Some of it was pretty good, some downright terrible.  One that had elements of both, putting it somewhere in the "fair to middling" category, was Spock Must Die by James Blish.  Blish had gotten into the Star Trek universe writing short-story adaptations of most of the original series episodes, but this one was entirely new.

Well, mostly.  It springboarded off an original series episode, "Errand of Mercy," in which the Federation and the Klingons are fighting over the planet Organia, which is populated by a peaceful, pastoral society.  Kirk et al. are trying to stop the Klingons from massacring the Organians, but much to Kirk's dismay, the Organians refuse Federation protection, insisting they don't need any help.  And it turns out they don't -- in the end, you find out that the Organians are super-powerful aliens who only assumed human-ish form to communicate with the two humanoid invading forces, and are so far beyond both of them that they indeed had nothing to fear.

In Spock Must Die, the crew of the Enterprise is sent to investigate why Organia has suddenly gone radio-silent.  It turns out that the Klingons have surrounded the entire planet with a force field.  Spock volunteers to try to transport through it, which fails -- but after the attempt, suddenly there are two Spocks in the transporter room, each claiming to be the real, original Vulcan.

[spoiler alert, if anyone is actually going to go back and read it...]  What happened is that the transporter beam was reflected off the surface of the force field, and it duplicated Spock -- there was the original (who never left the transporter pad) and the duplicate (the reflection, recreated in place).  Since both the original and the duplicate were identical down to the last neuron, each of them had the same memories, and each was convinced he was the real Spock.

The key turned out to be the fact that the duplicate had been reflected all the way down to the molecular level.

Why this matters is that a number of molecules in our bodies -- amino acids and sugars being two common examples -- are chiral, meaning they have a "handedness."  Just like a glove, they exist in two possible forms, a "right-handed" and a "left-handed" one, which are mirror images of each other.  And for reasons unknown, all of our amino acids are left-handed.  No organism known manufactures right-handed amino acids.  Further, if you synthesized right-handed amino acids -- which could be done in the laboratory -- and fed them to a terrestrial organism, the organism would starve.

But the reflected Spock, of course, is exactly the opposite.  Kirk eventually figures out what's happened because one of the Spocks barricades himself in one of the science laboratories, claiming the other Spock wants to kill him.  The truth was he had to have access to a lab in order to synthesize the right-handed amino acids without which he'd die.

Clever concept for a story, right there.

[Image licensed under the Creative Commons Petritap, Finnish mittens, CC BY-SA 3.0]

Chirality is quite a mystery.  Like I said, the left-handedness of amino acids is shared by all known terrestrial organisms, so that bias must have happened very early in the generation of life.

Why it happened is another matter entirely.  A persistent question in scientific inquiries into the origin of life on Earth (and the possibility of life elsewhere) is how much of our own biochemistry and metabolism is constrained.  We code our genetic information as DNA; could it be done a different way elsewhere?  Our primary energy driver is ATP.  Are there other ways organisms might store and access chemical energy?  The question of constraint goes all the way up the scale to macroscopic features, such as cephalization -- the clustering of the sensory processing organs near the anterior end of the animal.  Makes sense; you want your sensors facing (1) the direction you're traveling, and (2) what you're eating.  But are there other equally sensible ways to put an animal together?

Some things we take for granted almost certainly aren't constrained, like bilateral symmetry.  So many animals are bilaterally symmetrical that the ones that aren't (like adult flounders) stand out as bizarre.  Aficionados of H. P. Lovecraft might remember that amongst the innovative ideas he used was that the aliens in "At the Mountains of Madness" weren't bilateral, but had five-way symmetry -- something completely unknown on Earth.  (You may be thinking, "wait... starfish?"  Starfish have what I'd call pseudo-pentaradial symmetry.  As larvae, they're clearly bilateral, and they lose a lot of bilateral features when they mature.  But some characteristics -- like the position of the sieve plate, their water-intake device -- give away that deep down, they are still basically bilateral.)

Anyhow, all this comes up because of a recent discovery by astrobiologists at NASA's Goddard Space Flight Center.  In a press release, we hear about a meteorite discovered in Antarctica called Asuka 12236, which is a carbonaceous chondrite -- a peculiar type of meteorite that is rich in organic compounds.  Asuka 12236 contained large quantities of amino acids, which isn't as bizarre as it sounds; amino acids have been shown to form relatively easily if there are raw materials and a source of energy.

What stands out is that all of the amino acids in Asuka 12236 are left-handed -- just like the ones on Earth.

The scientists studying the meteorite are up front that the first thing to do is rule out that the amino acids in the meteorite aren't contaminants absorbed after the rock crash-landed.  Most of the experts, however, think this is unlikely, and that we're looking at a genuine sample of extraterrestrial amino acids.  And the fact that they all show left-handed chirality is pretty remarkable -- suggesting that the chirality of our biochemicals might, in fact, be constrained, and that we could well find biochemistry similar to our own on other planets.

In that way, at least.

So that's one less thing to worry about if we ever go to an alien world.  Unlike the right-handed reflected Mr. Spock, we'd be able to metabolize alien amino acids just fine.

Of course, how familiar-looking everything else would be is still open to question.

*********************************

This week's Skeptophilia book recommendation of the week is a brilliant retrospective of how we've come to our understanding of one of the fastest-moving scientific fields: genetics.

In Siddhartha Mukherjee's wonderful book The Gene: An Intimate History, we're taken from the first bit of research that suggested how inheritance took place: Gregor Mendel's famous study of pea plants that established a "unit of heredity" (he called them "factors" rather than "genes" or "alleles," but he got the basic idea spot on).  From there, he looks at how our understanding of heredity was refined -- how DNA was identified as the chemical that housed genetic information, to how that information is encoded and translated, to cutting-edge research in gene modification techniques like CRISPR-Cas9.  Along each step, he paints a very human picture of researchers striving to understand, many of them with inadequate tools and resources, finally leading up to today's fine-grained picture of how heredity works.

It's wonderful reading for anyone interested in genetics and the history of science.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]




Saturday, June 29, 2019

The biochemical symphony

Sometimes I run into a piece of scientific research that's so odd and charming that I just have to tell you about it.

Take, for example, the paper that appeared in ACS Nano this week, that ties together two of my favorite things -- biology and music.  It has the imposing title,  "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," and was authored by Chi-Hua Yu, Zhao Qin, Francisco J. Martin-Martinez, and Markus J. Buehler, all of the Massachusetts Institute of Technology.  Their research uses a fascinating lens to study protein structure: converting the amino acid sequence and structure of a protein into music, then having an AI software study the musical pattern that results as a way of learning more about how proteins function -- and how that function might be altered.

What's cool is that the musical note that represents each amino acid isn't randomly chosen.  It's based on the amino acid's actual quantum vibrational frequency.  So when you listen to it, you're not just hearing a whimsical combination of notes based on something from nature; you're actually hearing the protein itself.

[Image licensed under the Creative Commons © Nevit Dilmen, Music 01754, CC BY-SA 3.0]

In an article about the research in MIT News, written by David L. Chandler, you can hear clips from the Yu et al. study.  I recommend the second one especially -- the one titled "An Orchestra of Amino Acids" -- which is a "sonification" of spider silk protein.  The strange, percussive rhythm is kind of mesmerizing, and if someone had told me that it was a composition by an avant-garde modern composer -- Philip Glass, perhaps, or Steve Reich -- I would have believed it without question.  But what's coolest about this is that the music actually means something beyond the sound.  The AI is now able to discern the difference between some basic protein structures, including two of the most common -- the alpha-helix (shaped like a spring) and the beta-pleated-sheet (shaped like the pleats on a kilt -- because they sound different.  This gives us a lens into protein  function that we didn't have before.  "[Proteins] have their own language, and we don’t know how it works," said Markus Buehler, who co-authored the study.  "We don’t know what makes a silk protein a silk protein or what patterns reflect the functions found in an enzyme.  We don’t know the code."

But this is exactly what the AI, and the scientists running it, hope to find out.  "When you look at a molecule in a textbook, it’s static," Buehler said.  "But it’s not static at all. It’s moving and vibrating. Every bit of matter is a set of vibrations.  And we can use this concept as a way of describing matter."

This new approach has impressed a lot of people not only for its potential applications, but from how amazingly creative it is.  This is why it drives me nuts when people say that science isn't a creative process.  They apparently have the impression that science is pure grunt work, inoculating petri dishes, looking at data from particle accelerators, analyzing rock layers.  But at its heart, the best science is about making connections between disparate ideas -- just like this research does -- and is as deeply creative as writing a symphony.

"Markus Buehler has been gifted with a most creative soul, and his explorations into the inner workings of biomolecules are advancing our understanding of the mechanical response of biological materials in a most significant manner," said Marc Meyers, professor of materials science at the University of California at San Diego, who was not involved in this work.  "The focusing of this imagination to music is a novel and intriguing direction.  his is experimental music at its best.  The rhythms of life, including the pulsations of our heart, were the initial sources of repetitive sounds that engendered the marvelous world of music.  Markus has descended into the nanospace to extract the rhythms of the amino acids, the building blocks of life."

What is most amazing about this is the potential for the AI, once trained, to go in reverse -- to be given an altered musical pattern, and to predict from that what the function of a protein engineered from that music would do.  Proteins are perhaps the most fundamental pieces of living things; the majority of genes do what they do by making proteins, which then guide processes within the organism (including frequently affecting other genes).  The idea that we could use music as a lens into how our biochemistry works is kind of stunning.

So that's your science-is-so-freaking-cool moment for the day.  I peruse the science news pretty much daily, looking for intriguing new research, but this one's gonna be hard to top.  Now I think I'm going to go back to the paper and click on the sound links -- and listen to the proteins sing.

***************************************

Richard Dawkins is a name that often sets people's teeth on edge.  However, the combative evolutionary biologist, whose no-holds-barred approach to young-Earth creationists has given him a well-deserved reputation for being unequivocally devoted to evidence-based science and an almost-as-well-deserved reputation for being hostile to religion in general, has written a number of books that are must-reads for anyone interested in the history of life on Earth -- The Blind Watchmaker, Unweaving the Rainbow, Climbing Mount Improbable, and (most of all) The Ancestor's Tale.

I recently read a series of essays by Dawkins, collectively called A Devil's Chaplain, and it's well worth checking out, whatever you think of the author's forthrightness.  From the title, I expected a bunch of anti-religious screeds, and I was pleased to see that they were more about science and education, and written in Dawkins's signature lucid, readable style.  They're all good, but a few are sheer brilliance -- his piece, "The Joy of Living Dangerously," about the right way to approach teaching, should be required reading in every teacher-education program in the world, and "The Information Challenge" is an eloquent answer to one of the most persistent claims of creationists and intelligent-design advocates -- that there's no way to "generate new information" in a genome, and thus no way organisms can evolve from less complex forms.

It's an engaging read, and I recommend it even if you don't necessarily agree with Dawkins all the time.  He'll challenge your notions of how science works, and best of all -- he'll make you think.

[If you purchase this book using the image/link below, part of the proceeds will go to support Skeptophilia!]