Birds of a feather

The diversity you find among birds is really remarkable.

There are differences in bill shape, from the weird angled beaks of flamingos, to the longer-on-the-bottom fish skewers of skimmers, to the upswept needle of the avocet, to the absurd (and aptly-named) spoonbills and shoebills, to the pelicans -- about whom my dad taught me a limerick when I was little:

A wonderful bird is the pelican.
His bill can hold more than his bellican.
He can stash in his beak
All his food for the week,
But I really don't see how the hellican.

Yeah, it's kind of obvious where I got my sense of humor from.

Of course, it doesn't end there. The impossibly long toes of the South American jacanas (called "lilytrotters" because they can walk on the floating leaves of waterlilies).  The phenomenal wingspan of the albatross.  The insane plumage of the birds-of-paradise.

And the colors.  Man, the colors!  Even in my decidedly non-tropical home we have some pretty amazing birds.  The first time I saw an Indigo Bunting, I was certain that one of my sons had put a blue plastic bird on the bird feeder just to rattle my chain.  There couldn't be a real bird that was that fluorescent shade of cobalt.

Then... it moved.

But nothing prepared me for the colors I saw on my visits to Ecuador, especially amongst the birds of the tanager family.  There are hundreds of species of tanagers in that tiny little country, and because they often travel in mixed foraging flocks, you can sometimes see twenty or thirty different species in the same tree.  These include the Green-headed Tanager:

[Image licensed under the Creative Commons Lars Falkdalen Lindahl (User:Njaelkies Lea), Green-headed Tanager Ubatuba, CC BY-SA 3.0]

The Black-capped Tanager:

[Image licensed under the Creative Commons Joseph C Boone, Black-capped Tanager JCB, CC BY-SA 4.0]

And the Flame-faced Tanager:

[Image licensed under the Creative Commons Eleanor Briccetti, Flame-faced Tanager (4851596008), CC BY-SA 2.0]

Being a biologist, of course the question of how these birds evolved such extravagant colors is bound to come up, and my assumption was always that it was sexual selection -- the females choosing the most brightly-colored males as mates (in this group, as with many bird species, the males are usually vividly decked out and the females are drab-colored). If over time, the showiest males are the most likely to get lucky, then you get sexual dimorphism -- the evolution of different outward appearances between males and females.  (This isn't always so, by the way.  Most species of sparrows, for example, have little sexual dimorphism, and even experienced birders can't tell a male from a female sparrow by looking.)  More puzzling still is the general trend that tropical birds are more brilliantly-colored than bird species in higher latitudes -- a trend that is yet to be convincingly explained.

The reason this comes up today is two papers that came out last week.  The first, that appeared in Science Advances, looks at one of the most amazing things about their evolutionary history -- they were the only branch of the dinosaur clade that survived the cataclysmic mass extinction at the end of the Cretaceous Period.  What allowed birds to make it through the bottleneck that killed all of their near relatives -- and not only survive, but thrive and rediversify?

The evidence is that the extinction event selected for two things; small body size, and a shift toward young being altricial -- born relatively helpless and undeveloped, and therefore requiring more parental care.  Some lineages of birds would eventually increase in body size again, but they never again would reach the colossal proportions that their cousins did during the Jurassic and Cretaceous Periods.

"We have typically not looked at the change in DNA composition and model across the tree of life as a change that something interesting has happened at a particular point of time and place," said Stephen Smith, of the University of Michigan, who co-authored the study.  "This study illustrates that we have probably been missing something...  We found that adult body size and patterns of pre-hatching development are two important features of bird biology we can link to the genetic changes we’re detecting.  One of the most significant challenges in evolutionary biology and ornithology is teasing out the relationships between major bird groups — it’s difficult to determine the structure of the tree of life for living birds."

The study not only elucidated relationships between extant groups of birds, it allowed the researchers to pinpoint when groups diverged from each other, and therefore what innovations were likely to be connected with events occurring on the Earth at the time.

The second study, which appeared in Nature Ecology & Evolution, looked at the question I began with -- the impossibly bright colors that are characteristic of so many bird species.  Colors in birds arise two ways -- pigments (chemicals which absorb some frequencies of light and reflect others) and structural color (due to feathers creating a combination of refraction and interference; this is also known as iridescence).  Most pigmented color in birds is relatively drab -- blacks, grays, and various shades of brown -- the flashing blues, greens, and purples you see in groups like tanagers, hummingbirds, and sunbirds are almost entirely due to iridescence.

The researchers went through images of as many of the 9,409 species of birds currently in existence, along with the current best iteration of the family tree of birds, to try and figure out where along the way iridescence evolved, and how it spread so widely among this class of animals.  

And what they found was that 415 distantly-related branches of the tree have iridescent feathers, and the common ancestor of all modern birds -- something like eighty million years ago -- was very likely iridescent.

"I was very excited to learn that the ancestral state of all birds is iridescence," said Chad Eliason, of the Field Museum in Chicago, who was the paper's lead author.  "We've found fossil evidence of iridescent birds and other feathered dinosaurs before, by examining fossil feathers and the preserved pigment-producing structures in those feathers.  So we know that iridescent feathers existed back in the Cretaceous -- those fossils help support the idea from our model that the ancestor of all modern birds was iridescent too."

There are still a lot of questions left unanswered, however.  "We still don't know why iridescence evolved in the first place," Eliason said.  "Iridescent feathers can be used by birds to attract mates, but iridescence is related to other aspects of birds' lives too.  For instance, tree swallows change color when the humidity changes, so iridescence could be related to the environment, or it might be related to another physical property of feathers, like water resistance.  But knowing more about how there came to be so many iridescent birds in the tropics might help us understand why iridescence evolved."

Which is extremely cool.  Something to think about next time you see one of those brilliant little flying jewels flit by.  The stunning colors we appreciate every day on our bird feeders and in the wild have a very long history -- going back to a trait that evolved something like eighty million years ago.

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Jurassic rainbow

Regular readers of Skeptophilia might recall that about a year ago, paleontologists announced the discovery of a bird fossil from northeastern China that had a long, pennant-like tail -- and that from the extraordinary state of preservation, they were able to determine that the outer tail feathers had been gray, and the inner ones jet black.

Determining feather, hair, and skin color of prehistoric animals is remarkably tricky; the pigments in those structures break down rapidly when the animal's body decomposes, and the structures themselves are fragile and rarely fossilize.  The result is that when artists do reconstructions of what these animals may have looked like, they base those features on analogies to modern animals.  This is why in old books on dinosaurs, they were always pictured as having greenish or brownish scaly skin, like the lizards they were thought to resemble, even though dinosaurs are way more closely related to modern birds than they are to modern lizards.  (To be fair, even the paleontologists didn't know that until fairly recently, so the artists were doing their best with what was known at the time.)

But it does mean that if we were to get in the TARDIS and go back to the Mesozoic Era, we'd be in for a lot of surprises about what the wildlife looked like back then.  Take, for example, the late Jurassic Period fossil found by a farmer in China that contained the nearly-complete skeleton of a birdlike dinosaur.  Here's the fossil itself:

What's remarkable about this fossil is that the feathers were so well-preserved that paleontologists were able to get a close look at the melanocytes -- the pigment-containing cells -- and from the arrangement and layering of those cells, they determined that the dinosaur's head feathers were arrayed like a rainbow, similar to modern hummingbirds, sunbirds, and trogons.

So here's the current reconstruction of what this species looked like:

[Reconstruction by artist Velizar Simeonovski, of The Field Museum]

Kind of different from the drab-colored overgrown iguanas from Land of the Lost, isn't it?

The species, christened Caihong juji from the Mandarin words meaning "big rainbow crest," adds another ornate member to the late Jurassic and early Cretaceous fauna of what is now northern China.  And keep in mind that we only know about the ones that left behind good fossils -- probably less than one percent of the total species around at the time.  As wonderful as it is, our knowledge of the biodiversity of prehistory is analogous to a future zoologist trying to reconstruct our modern ecosystems from the remains of a sparrow, a cat, a raccoon, a deer, a grass snake, and a handful of leaves from random plants.

I think my comment about being "in for a lot of surprises" if we went back then is a significant understatement.

Even so, this is a pretty amazing achievement.  Astonishing that we can figure out what Caihong juji looked like from some impressions in a rock.  And it gives us a fresh look at a long-lost world -- but one that was undoubtedly as rainbow-hued and iridescent as our own.

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Look at that shine!

There's this bird called the cassowary, have you heard of it?

I think a better name for it would be the "Giant Blue-headed Australian Death Turkey."  They're ungainly-looking things, but (1) they're big, and (2) they're fast.  An adult GBADT can be two meters tall and weight 55 kilograms.  Not only that, but if they feel threatened, they don't run or fly away as any normal species of bird would do.  No, this is Australia.  What they do is run toward people, jump up, and kick them with razor-sharp talons, attempting -- sometimes successfully -- to disembowel them.

Think I'm joking?  This is an actual (i.e. un-Photoshopped) photograph of a guy trying to avoid being killed by a furious cassowary.

The reason this comes up is that cassowaries have another strange feature besides being, essentially, emus with daggers strapped to their feet.  Their black feathers have the quality of iridescence -- something you might not notice if it was leaping at you -- but from a safe distance, their feathers have an oily rainbow sheen.

This is more than just simple pigmentation.  The structures in the feathers containing the black pigment are called melanosomes, and they come in a variety of shapes and sizes in different species.  The brightly-colored throat patches ("gorgets") in hummingbirds are the color they are because of melanosomes.

But if the pigment they contain is black, how do hummingbirds display their amazing array of colors, and how do cassowaries gain their sheen?

The reason is a phenomenon called optical interference, and has to do with the multiple clear layers of keratin that separate the layers of melanosomes.  Light passing through those clear layers is refracted, and crosses light waves refracted by other layers -- and because of this, some wavelengths of light undergo destructive interference (they cancel each other out) and others constructive interference (they reinforce each other).  In our local Ruby-throated Hummingbirds, the keratin layers are spaced so the wavelengths that reinforce are ones that our eyes see as being in the red region of the spectrum; other colors get cancelled out.  Thus, the ruby throat of the Ruby-throat.

But change the spacing of the layers, and you change what colors reinforce.  So you can get the Violet-tailed Sylph of Ecuador...

[Image licensed under the Creative Commons Joseph C Boone, Violet-tailed Sylph 2 JCB, CC BY-SA 4.0]

... the aptly-named Magnificent Hummingbird of Mexico, Central America, and southern Arizona...

[Image licensed under the Creative Commons Don Faulkner, Magnificent Hummingbird (7047734993), CC BY-SA 2.0]

... and over two hundred others, each with its own different spacing of the keratin layers in the feathers, and thus, each with its own array of spectacular, iridescent colors.

What's fascinating about this evolutionarily is that cassowaries and hummingbirds have been separate lineages for a long time.  Their last common ancestor is estimated at eighty million years ago, so predating the extinction of the non-avian dinosaurs by a good fourteen million years.  And some birds don't have this kind of iridescence -- their feather colors come from ordinary pigments, not a lot different than different colors of paint.  So how did two widely-separated groups of birds end up landing on the same solution for being colorful?

It's a very striking example of convergent evolution, where different organisms end up becoming superficially similar (usually only on one or two traits) because of similar selective pressures.  And apparently the innovation came about a long time ago in both lineages, as I found out in a paper this week in Science Advances that details information about some fossil feathers from relatives of the cassowary that were around 52 million years ago, during the Eocene Epoch.

In "Cassowary Gloss and a Novel Form of Structural Color in Birds," by Chad Eliason and Julia Clarke of the University of Texas - Austin, we read about an incredibly detailed analysis of feather fossils from the Green River Formation in Wyoming.  Using an electron microscope, the authors were able to measure the spacing of the melanosome layers and keratin layers, and determined that the species the feathers came from -- the lithornithid Calxavis (or Calciavis) grandei -- was black, with a deep iridescence on the wings.

The idea that we could actually find out what color an extinct species was using its fossilized feathers is amazing.  When I look at "artist's reconstructions" of prehistoric animals, I have to remind myself constantly that all the colors are just guesses based on analogies (sometimes incorrect ones) to modern species.  But now we actually have a pretty good idea of what a bird looked like who last flew around fifty-some-odd million years ago, which is kind of mind-boggling.

You have to wonder what other characteristics Calxavis shared with its modern cousins.  Unfortunately, we still know next to nothing about the behavior of long-extinct animals, so more than likely we'll never have anything more than guesses about how it acted when it was alive.

Who knows, maybe it even rushed at prehistoric predators and tried to rip them apart with its talons.  I mean, the Giant Blue-headed Australian Death Turkey's bad attitude has to come from somewhere.

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This week's Skeptophilia book-of-the-week is one that should be a must-read for everyone -- not only for the New Yorkers suggested by the title.  Unusual, though, in that this one isn't our usual non-fiction selection.  New York 2140, by Kim Stanley Robinson, is novel that takes a chilling look at what New York City might look like 120 years from now if climate change is left unchecked.

Its predictions are not alarmism.  Robinson made them using the latest climate models, which (if anything) have proven to be conservative.  She then fits into that setting -- a city where the streets are Venice-like canals, where the subways are underground rivers, where low-lying areas have disappeared completely under the rising tides of the Atlantic Ocean -- a society that is trying its best to cope.

New York 2140 isn't just a gripping read, it's a frighteningly clear-eyed vision of where we're heading.  Read it, and find out why The Guardian called it "a towering novel about a genuinely grave threat to civilisation."

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]