Skeptophilia (skep-to-fil-i-a) (n.) - the love of logical thought, skepticism, and thinking critically. Being an exploration of the applications of skeptical thinking to the world at large, with periodic excursions into linguistics, music, politics, cryptozoology, and why people keep seeing the face of Jesus on grilled cheese sandwiches.
Showing posts with label haunted houses. Show all posts
Showing posts with label haunted houses. Show all posts

Tuesday, May 27, 2025

Home bizarre

My house is, to put not too fine a point on it, kind of a disaster area.

A friend described it as "looking like a museum run by lunatics."  Part of this is that my wife and I have dozens of interests, so we have a huge amount of random stuff.  Carol is a professional artist (you can and should check out her amazing work here), so between the pens and inks and watercolors and framing supplies -- as well as all the finished pieces -- it takes up a lot of room.  We're both amateur potters, which is a whole other set of supplies and products.  I'm a fanatical book and CD collector, and also a musician with (at last count) five flutes, three recorders, three pennywhistles, a set of bagpipes, a guitar, a djembe, a concertina, and a piano.  I collect masks, and have them hanging on walls all over the house.  Then there's the odd random stuff; just from where I'm sitting, I can see a Bigfoot statue, an antique typewriter, a gargoyle, a bronze sundial, several ceramic statues of characters from Doctor Who and Lost in Space, and a scale model of the Miller-Urey apparatus.

Our house isn't neat, but I can at least confidently assert that it's interesting.

There's also the problem that Carol and I are both housework-impaired.  This is not helped by the fact that we have three large dogs.  When we have guests coming over it's preceded by three days of panic-cleaning so we don't die of humiliation as soon as our guests walk through the front door.  On the other hand, it's a good thing we sometimes do have guests, because otherwise one day we'd go missing, and when the police came to investigate they'd find us both trapped in enormous clumps of dog hair.

We'll never make Home Beautiful, but we did make the May edition of Home Chaotic.

My work station

The reason all this comes up is a loyal reader of Skeptophilia, who sent me a link suggesting that the problem isn't that I have a million interests, the attention span of a fruit fly, and zero aptitude for housework.

The problem is my home needs an exorcism.

At least that's what Australian psychic Catarina Ligato would probably say.  Her vocation is "cleansing" houses of their past inhabitants, who do stuff like creating "negative energy," making rooms feel unnaturally cold, and moving your belongings around.  They can also produce odd smells, although I wonder if we'd even notice that given our aforementioned three dogs.

If Ligato checks a place out and finds it's haunted, she respectfully asks the disembodied ghosts of former residents to leave the place in peace.  She also uses a "crystal wand" and "sacred spray" to encourage their exit.

Kind of the spirit world equivalent of a mop and a can of Lysol, is how I think of it.

"Doing this work is a calling, it’s not for everyone," Ligato said.  "I know other psychics who ended up in psych wards for losing their balance.  [Working in homes] can feel a bit more positive, because you’re helping both the inhabitants and the spirits to find peace."

If you don't want to shell out the cash to hire Ligato (her minimum fee is three hundred dollars) -- or if, like me, you live halfway around the world from her -- you can always DIY it.  Burn some essential oils, she says, play some calm music, keep the windows open, and "declutter regularly."

It's this last one that would be the sticking point for us, because as I mentioned earlier, clutter is kind of our raison d'être.  I mean, I guess it'd be nice to live in a neat, clean house (not that I know first-hand what that's like), but... I like my stuff.  This is my Emotional Security StuffIf I were to start doing a Marie-Kondo-style culling, I'd be a little lost.  Okay, maybe I don't need an Indonesian statue of a cat playing a flute, but yeah, Marie, it kind of does spark joy.


So I think the fact that we're constantly misplacing stuff probably isn't caused by the ghosts of former inhabitants moving our belongings around, but more that (1) we have a huge amount of random things strewn everywhere, and (2) we're both kind of scatterbrained.  As far as it feeling cold sometimes -- well, it's an old house, and we do live in upstate New York, which is a four-season climate (the four seasons are Almost Winter, Winter, Still Fucking Winter, and Road Construction).  I don't think I'm ready to pay Catarina Ligato to fly out from Australia to do an exorcism, entertaining as that would be.

I might give the essential oils a try, though.  I doubt it'll help with the overall cleanliness, but maybe it'll help with the doggy smell, which can get pretty intense sometimes.   Every move in the right direction is a good thing.

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Monday, September 9, 2024

Legally haunted

Have you ever heard of the New York Supreme Court Case, Stambovsky v. Ackley?

I hadn't, until yesterday.

This came up because of a link someone sent me to an article called "There’s A House That’s So Terrifying It Was Legally Declared Haunted By New York State."  And my question, of course, was "what does it mean to be 'legally haunted'?"  If a ghost shows up in a house that is not legally declared to be haunted, do you have the right to call the police and have it arrested?  If so, how could you send a ghost to jail, when according to most people, ghosts can pass through walls, not to mention steel bars?

Be that as it may, the story centered around a house owned by a family named Ackley in Nyack, New York, a town on the Hudson River.  Soon after the Ackleys moved in, they began to have odd experiences, the most alarming of which is that family members reported waking up having their beds violently shaken by an invisible entity.  According to the article, they "learned to live with the spirits," which became easier when one of them apparently figured out that all they had to do to stop the sudden awakenings was to ask the ghosts not to shake their beds during the night.

Which I thought was pretty doggone amenable of the spirits, until I read the next part, wherein a young guest showed up to visit the Ackleys and died immediately of a brain aneurysm [emphasis theirs].  So that's not very nice.  There were also footsteps, slamming doors, and "gifts for the children [left] randomly through the house."  So you can see that with gifts on one end of the spectrum and brain aneurysms on the other, the haunting turned out to be quite a mixed bag.

The Ackley House, courtesy of Google Maps

Anyhow, all of this is your ordinary, garden-variety haunted house story until the Ackleys had enough and decided to sell the house.  The buyers, a family named Stambovsky, purchased it, but it turned out that the Ackleys didn't mention the fact that it was haunted by brain-aneurysm-inducing ghosts.  When they found out the house's reputation, the Stambovskys objected, understandably enough, and sued.  The case went all the way to the New York Supreme Court, where the judge sided with the Stambovskys.  The ruling said:
Where, as here, the seller not only takes unfair advantage of the buyer's ignorance but has created and perpetuated a condition about which he is unlikely to even inquire, enforcement of the contract (in whole or in part) is offensive to the court's sense of equity.  Application of the remedy of rescission, within the bounds of the narrow exception to the doctrine of caveat emptor set forth herein, is entirely appropriate to relieve the unwitting purchaser from the consequences of a most unnatural bargain...  Seller who had undertaken to inform the public at large about the existence of poltergeists on the premises to be sold was estopped to deny existence of poltergeists on the premises, so the house was haunted as a matter of law and seller must inform the purchaser of the haunting.
I wondered about how exactly a purchaser could demonstrate that a house was, in fact, haunted.  After all, that's usually what most failure-to-disclose lawsuits usually turn on; you find that the house you just bought has a leaky roof, and show that the previous owners knew about the leaky roof -- but along the way it's incumbent upon you to demonstrate that the roof does, in fact, leak.  How the hell are you going to do that with a ghost?

But upon reading the ruling more carefully, apparently the decision was based upon the fact that the Ackleys themselves had made public the fact that they thought the house was haunted.  So I guess it's their fault for bragging about their ghosts and then deciding not to tell the purchasers before the contract was signed.

You have to wonder, though, if this might be something that should appear on disclosure statements under "Known Pre-existing Conditions," along with leaks, dry rot, damaged windows, broken appliances, and faulty septic systems.  "Ghosts/poltergeists present" -- yes/no/unknown.  "Ghosts that result in death by aneurysm" -- yes/no/unknown.

The article ends by giving us the address of the house in Nyack, but asking us not to go there.  "Respect the current owner’s privacy by admiring it only from your screen," they tell us.  Which does bring up the interesting point of who bought the house after the Supreme Court allowed the Stambovskys to back out of the purchase, and whether the new owners have had any weird experiences or untimely deaths.  The article on the legal case (linked above) said that in 2015 the house sold for $1.77 million -- which was, they said, $600,000 higher than comparable houses in Nyack.

So maybe the Stambovskys should have stuck with it, ghosts and all.  Apparently disembodied spirits of the dead do nothing to diminish home value.  I know I'd happily sell my house for a cool $1.77 million.  I'd even sign a disclosure agreement admitting that it's haunted, and I don't even believe in ghosts.

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Wednesday, July 10, 2024

The echo of evil

One of the more horrifying stories from my home state of Louisiana is the more-or-less true tale of Madame Delphine Macarty LaLaurie.

I qualify it with "more-or-less" because being gruesome, even by New Orleans gothic standards, it's certainly been embellished along the way.  Plus, as you'll see there's a supernatural twist to the whole thing, and -- at least in my not-always-so-humble opinion -- that makes it fictional by default.  But with that caveat in place, here's what we know.

Delphine was born on the 19th of March, 1787, in New Orleans, to Louis Barthélemy de Macarty (or McCarty or McCarthy or MacCarthy) and his wife, Marie-Jeanne L'Érable.  Louis's father was from Ireland, but the rest of the family was French -- as well as influential and rich.  Her uncle by marriage was the governor of the Spanish colony of Louisiana, and a cousin later became mayor of New Orleans.  Delphine married three times; first to a prominent officer in the Spanish military named Ramón de Lopez y Angulo, then to a wealthy banker named Jean Blanque, and last to a doctor, Léonard Louis Nicolas LaLaurie.

Delphine Macarty LaLaurie [Image is in the Public Domain]

Until 1834, Delphine and her husband(s) showed every sign of being completely normal upper-class citizens, participating in the high society of the New Orleans French Quarter.  A few hints had gotten out about the LaLauries, especially Delphine, alleging that she mistreated slaves, but in that day and age it had to be pretty extreme before anyone would do anything about that even if it were proven true.

Eventually, it was.  And the reality turned out to be so bad that even the privileged White people of the antebellum South were revolted.

In April of 1834, a fire broke out in the kitchen of the LaLaurie mansion.  Responding to calls for help, neighbors came in to extinguish the blaze -- and found the family cook chained to the stove by her ankle.  This spurred an investigation, and the police found the family slaves in deplorable shape, showing evidence of torture and deprivation.  At first Dr. LaLaurie responded to the inquiry with derision, saying, "some people had better stay at home rather than come to others' houses to dictate laws and meddle with other people's business," but when the condition of the slaves was made public, the outrage was so strong that a mob descended on the house.  The couple fled, eventually making their way to Paris, where they lived for the rest of their lives.  Dr. LaLaurie's death is unrecorded, but Delphine's shows up in the Paris Archives, saying she died on 7 December 1849 at the age of 62.  She never publicly acknowledged any guilt over how she and her husband had treated the slaves; in fact, a letter from Paulin Blanque, her son by her second marriage, states that his mother "never had any idea about the reason for her departure from the city."

So either Dr. LaLaurie was the real villain, here, or Delphine was amoral and an accomplished liar.

Perhaps both.

Certainly the legend, though, favors the latter.  The tale of a depraved and sadistic woman had a cachet that grabbed people's attention, and the story began to grow by accretion.  The 1946 book Ghost Stories of Old New Orleans, by Jeanne deLavigne, went into explicit detail about what Delphine supposedly did -- I'll spare you the details, not only because they are downright disgusting, but because the more grotesque of the claims are entirely unsubstantiated by the records.  Now, I'm not saying the LaLauries were innocent, mind you; at the best, they were cruel, heartless people whose escape to Paris is the very definition of "getting off lightly."  But any time there's a claim like this, people always want to add to it -- and they have, throwing in enough gory details to do a slasher movie proud.

The LaLaurie house was rebuilt -- there wasn't much left but the frame after the fire and the attack by the enraged mob -- and over the years has been a private residence (the most recent owner was none other than Nicolas Cage), a music conservatory, a high school, a residence for delinquents, a bar, and a furniture store.  It's widely considered to be haunted, and features prominently on New Orleans ghost walks; some call it "the most haunted building in Louisiana," where at night you can hear the moans of the poor tortured slaves and the evil, cold laugh of the wicked Delphine, as she walks the hallways and staircases looking for new victims.

LaLaurie Mansion, 1140 Royal Street [Image licensed under the Creative Commons APK, LaLaurie Mansion, CC BY-SA 4.0]

The reason the topic comes up is because the home just went up for sale again -- target price, a cool $10.25 million.  So if you have a good chunk of cash and want to live in one of the most notorious haunted houses in the Deep South, here's your chance.

Predictably, I don't put much stock in the paranormal side of this, but the author of the article about the sale makes a trenchant point; ghosts or no ghosts, isn't it pretty tasteless to be using the evil reputation of the site as a way of jacking up the price?  After all, no one doubts that real human beings were treated horribly here, many of them ultimately dying of their injuries.  There's not even the relief of a just ending to fall back on; the LaLauries pretty much got off scot-free.  The article's author suggests that maybe the thing to do is turn the place into a museum chronicling the plight of slaves in the South, who even after they were nominally freed by the Emancipation Proclamation and the Civil War, still had to endure generations of prejudice, persecution, and injustice.  (And to our nation's enduring shame, in many places their descendants still do.)

It's a nice idea, but money will talk, as it always does.  Some rich person will buy the LaLaurie Mansion, and it'll still be featured on ghost tours, cashing in on a legacy of human suffering.  Whatever the horrible details of the story of Delphine and her husband, having a building standing in their name is still on some level celebrating them, leaving an echo of evil on the streets of the French Quarter.

I understand the argument about leaving up places with horrific historical associations as reminders, but this is a case where I think the most fitting thing is to raze the damn place and erase every last trace of Delphine LaLaurie.  She got off easy (extremely easy) in life -- perhaps eradicating her memory after death is a fitting end for someone who was judged as sadistic even by the cruel standards of her time and place.

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Wednesday, May 29, 2024

Ghost shortage

I sometimes get grief from readers because of my tendency to dismiss claims of the paranormal.

In my own defense, I am convincible.  It just takes more than personal anecdote and eyewitness accounts to do it.  Our memories and sensory-perceptive apparatus are simply not accurate enough recording devices to be relied on for anything requiring scientific rigor.  I find myself agreeing with the hard-nosed skeptic MacPhee in C. S. Lewis's novel That Hideous Strength:
"My uncle, Dr. Duncanson," said MacPhee, "whose name may be familiar to you — he was Moderator of the General Assembly over the water, in Scotland — used to say, 'Show it to me in the word of God.'  And then he’d slap the big Bible on the table.  It was a way he had of shutting up people that came to him blathering about religious experiences.  And granting his premises, he was quite right.  I don’t hold his views, Mrs. Studdock, you understand, but I work on the same principles.  If anything wants Andrew MacPhee to believe in its existence, I’ll be obliged if it will present itself in full daylight, with a sufficient number of witnesses present, and not get shy if you hold up a camera or a thermometer."

So it's not that I'm rejecting anything out of hand, nor saying that your story of seeing your Great Aunt Mildred's ghost fluttering about in your attic last week isn't true.  What I'm saying is that thus far, I personally don't have enough evidence to support a belief in ghosts.  Neither the attempts at rigorous study I've seen, nor my own individual experience, would be at all convincing to someone who didn't already have their mind made up.

And, if you believe an article I just ran across yesterday, any opportunities I might have for changing my opinion are waning fast.

According to paranormal researcher/nuclear physicist Paul Lee, the United Kingdom is "running out of ghosts."  Lee, author of The Ghosts of King's Lynn and West Norfolk, has been tracking paranormal activity in Britain since January 2020, and has seen a marked decline in reports.  "I've been contacting all the reportedly haunted locations on my app, and asking if the residents, owners or staff have experienced any unexplained activity," Lee said.  "So far I've had almost eight hundred replies, and even some supposedly highly haunted places like Conisbrough Castle in South Yorkshire, the Ettington Park Hotel in Stratford -- said to be one of the most haunted hotels in the UK -- and Fortnum and Mason in Piccadilly, say they haven't experienced anything in the last few years."

[Image licensed under the Creative Commons Gallowglass, Medieval ghost, CC BY-SA 3.0]

As far as what's happened to all these spirits, Lee says they may have "moved on."  I guess, like in The Good Place, anything gets boring after a while, and after a few centuries of scaring the shit out of tourists, the ghosts are probably eager for a change of venue.  On the other hand, Lee cautions, just because a particular ghost hasn't been heard from in a while doesn't mean it's gone permanently.  "It may be that ghosts can be recharged," he said.  "You sometimes hear stories of ghosts suddenly reappearing again after many years' absence."

So it could be that this is just a temporary lull, and the ghosts will all come back at some point.  Maybe when the Tories get voted out.

But you have to wonder, of course, if there's something more rational going on here, like the fact that people are wising up to how easy it is to slip into superstition and credulity, and attribute every creaking floorboard to the tread of a spectral foot.  While there are groups that approach these sorts of phenomena the right way (the Society for Psychical Research comes to mind), there are so many more that look at claims of hauntings as a way of turning a quick buck that maybe people are just getting fed up.  Shows like Ghost Hunters can't have helped; week after week, they go to supposedly haunted sites, wander around brushing aside cobwebs and waving their flashlights about in an atmospheric fashion, and like Monty Python's Camel Spotters, every week find conclusive evidence of nearly one ghost.  Despite a zero percent success rate, they always high-five each other for a job well done at the end of the episode, counting on the fact that viewers will already have forgotten that they'd just spent forty-five minutes watching nothing happening.

So maybe there are fewer ghost reports because people are getting smarter about what actually constitutes something worth investigating.  Wouldn't that be nice?

Anyhow, I wish Paul Lee the best of luck.  If the sightings don't pick up, he'll have to go back to nuclear physics to make ends meet, and that would be a damn shame.  And to reiterate my first point, it's not that I'm saying what he claims is impossible; no one would be happier than me if there turned out to be an afterlife, preferably on the beach and involving hammocks, sunshine, the minimum legally-allowable amount of clothing, and drinks with cheerful little paper umbrellas.

In the interim, however, I'll keep looking for hard evidence.  And if tonight I get visited by the spirit of your Great Aunt Mildred and she gives me a stern talking-to, I guess it will serve me right.

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Thursday, March 28, 2024

The origins of the story

I'm always interested in looking into where tales of the paranormal get started.  We've seen a number of examples here at Skeptophilia, each with its own peculiar provenance.  There are ones that have the feel of Scary Tales Told Around A Campfire, and which probably have little connection to reality other than the setting, like the legend of 50 Berkeley Square and the famous tumbling coffins of Barbados.  Others come from works of fiction that were misinterpreted (or misrepresented) as fact, and afterward took on a life of their own, such as the tragic tale of Christopher Round.  There are stories for which the basic facts are clearly true, but which picked up paranormal overtones by virtue of being unexplained, such as the odd phenomenon of the Devonshire footprints.  Last, and most common, there are ones for which the main players are definitely real people with a decent amount of credibility, and who seem to have had no particular reason to lie other than perhaps relishing getting a chuckle from scaring the absolute shit out of their friends, such as the weirdly open-ended tale of Nurse Black (still my all-time favorite "true ghost story"), the story of the haunting of Hinton Ampner, Lord Dufferin's terrifying premonition, and the much-retold legend of the screaming skulls of Calgarth.

More interesting to me, though, are ones where the story itself has no obvious point of origin.  One of these for which I've spent an inordinate amount of time digging, and come up absolutely empty-handed, I know about because of the book Haunted Houses, by Bernhardt J. Hurwood, which I've owned (courtesy of the beloved Scholastic Book Club) since shortly after it was published in 1972.

[Image licensed under the Creative Commons Harald Hoyer from Schwerin, Germany, The Haunted House Das Geisterhaus (5360049608), CC BY-SA 2.0]

Hurwood gave the story the rather lurid name "The Mystery House of Horror," and it was one of a handful in the collection that completely freaked me out when I read it as a highly imaginative, impressionable twelve-year-old who was absolutely convinced that if I left even the slightest gap in the curtains of my bedroom at night, someone or *gulp* something would watch me through the window while I slept.  You'd think monsters would have better stuff to do at night than to squint at a sleeping kid, but you never know, with monsters.

Right?

Of course right.

In any case, "The Mystery House of Horror" is about a manor house in Kensington, England that had a sinister reputation.  No one, we're told, has any information about when it was built or by whom, which right away seems a little strange for a culture so absolutely obsessed with keeping track of the minute doings of the landed gentry.  All Hurwood tells us is that the unnamed original owner was a "man of ill repute" who hanged himself in the house rather than waiting for the law do it first, and after that, the house and the gardens that surrounded it were definitely a Very Bad Place.

It was rented for a time by a family with the last name of Trent, but that tenancy came to an abrupt end when something tried to smother Mrs. Trent in her sleep with a pillow.  Her husband leapt to her aid, and found himself in a wrestling match with something strong, slimy, invisible, and giving off a horrible stench.  For some reason, even after this incident they stayed on a few more weeks.  This is more than I'd have done -- if that happened to me, all you'd see is a comical, Looney Tunes-style blur as I ran away screaming, my feet not even touching the ground.  But during those weeks, Mr. and Mrs. Trent were plagued by something slamming doors, and occasionally violently shaking their beds at night.

Eventually, though, they had enough, and left.

The next tenant was a Mrs. Cattling, who moved in with eight small dogs, four dachshunds and four Pomeranians.  The dogs obviously hated the place right from the get-go (a common trope in paranormal stories is dogs being more sensitive to hauntings than humans are), and one night their fear was realized as something attacked them, killing one of the Pomeranians.  What happened next is, to me, the scariest part of the entire story:

She was about to pick up the limp little form when something made her whirl around.  To her horror she saw one of the pillows on the bed lift itself up and stand on end.  Frozen to the spot, she watched as it compressed itself into the shape of some hideously unfamiliar beast with a long muzzle, sharp teeth, and monstrously evil gleaming eyes.  For a moment she stared at it in morbidly rapt fascination, like a bird at a snake about to devour it.  Then, summoning all her strength, she rushed to the bed, seized the pillow and flung it to the floor, jumping on it with both feet and screaming, "You killed my dog!  You killed my dog!"
Quite the badass, that Mrs. Cattling.  The tale is reminiscent of the absolutely terrifying short story "O, Whistle and I'll Come for You, My Lad," by M. R. James, in which a malevolent and invisible spirit creates a body for itself out of whatever happens to be around -- a bedspread, curtains, clothing hanging on a line.  *shudder*

After Mrs. Cattling (and her surviving dogs) left, the house went through various other tenants, none of whom stayed long.  One saw a "gaunt, cadaverous figure" standing by the end of the bed.  Another saw a man in "peculiar old-fashioned dress" tinkering with the gas mantle.  She assumed her husband had called a repairman, but the husband hadn't done any such thing, and when the woman returned to the kitchen she found it filling up with a dangerous level of natural gas -- the result, we're led to believe, of one of the house's resident ghosts trying to do away with its living tenants.

Even when it was unoccupied, strange things happened.  A pair of young lovers looking for a quiet place to have a nice snog found their way into the house's garden one evening, but before they could get down to the business at hand the young man noticed that despite the house being empty, there was an eerie golden light in one of the upstairs windows.  As they watched, it changed to a "ghastly bluish-green," and a "tomblike chill" descended over them.  But finally we have people showing some degree of common sense -- the couple hauled ass out of the place and vowed never to come near it again.

Understandably, the house got such a bad reputation that no one would rent it. "Some time between World War I and World War II," we're told, it was torn down, and "when the last scraps of debris were hauled away, the residents of the neighborhood breathed a collective sigh of relief."

So it's a very creepy story, and going back through it to write this post I had a couple of moments where I had an honest shiver.  (Fortunately, as I write this, it's a bright sunny morning, my dogs are all safely asleep on their own personal sofa, and there are no peculiar-looking repairmen working on the gas line.  The latter is largely because we don't have a gas line, but still.)

But where did the story come from?

I've done a significant amount of research trying to find anything but Hurwood's account, and had zero success.  You'd think that a house with this kind of story behind it would merit mention somewhere, but if there is, I haven't been able to find it.  All of the references I've come across ultimately lead back to Hurwood himself.

So as compelling as the story is, I think the answer is that it came from Hurwood's own imagination.

I kind of get the draw, you know?  As a novelist, I want my own imaginary creations to get as much notice as they can, and if I were writing a True Tales of the Supernatural sort of collection, it'd be mighty tempting to throw one of my own stories in there just for fun.  And I suspect that's what Hurwood did.  The Mystery House of Horror, I'm afraid, never existed.

I might be wrong, of course.  If one of my readers knows the provenance of this story (other than Hurwood's anthology), please let me know in the comments.  Maybe there was a haunted house in Kensington, and that'd be worth knowing about.

Although I'd be just as happy if invisible, slimy, smelly creatures didn't exist.  Even if all they did was watch me through gaps in the curtains at night.

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Thursday, October 26, 2023

The Brown Lady of Raynham Hall

To continue with the seasonally-appropriate spookiness that's occupied us all week, today we're going to look at one of the more curious ghost stories I've heard -- the tale of the "Brown Lady," named after her drab clothing, who has been allegedly seen many times in Raynham Hall Manor in Norfolk, England.

I first ran across the story in a collection called 50 Great Ghost Stories by John Canning, which from the inscription inside the front cover -- "October 29, 1977 -- Mon cher ami -- mieux vaut tard que jamais -- Amélie" -- I received three days after my seventeenth birthday from a family friend.

It's a pretty cool book, although (like many of this ilk) it mixes myth and folklore with stories that actually have some historical veracity.  The tale of the Brown Lady is one of the second type, because the people involved are actual historical figures, although the evidence for the haunting itself is still a little on the sketchy side.

The facts of the case are pretty well documented.  Lady Dorothy Walpole (18 September 1686 - 29 March 1726), who was the sister of Robert Walpole, the first prime minister of England, was married to Charles Townshend, 2nd Viscount Townshend.  Townshend had been married before, to one Elizabeth Pelham, by whom he had five children; he and Dorothy Walpole had seven more, the youngest of which was the mother of Charles Cornwallis, who signed the surrender at the Siege of Yorktown and ended the American Revolutionary War.

Dorothy Walpole wasn't happy, however, partly because Charles Townshend was more interested in growing turnips (I shit you not) than in devoting himself to his wife and family, and also because supposedly he had a nasty temper, which I would too if I had to eat turnips.  Be that as it may, Dorothy Walpole Townshend sought solace elsewhere, but unfortunately for her, she chose Thomas Wharton, 1st Marquess of Wharton, as a lover.

Well, the story goes that either Townshend or Wharton's wife (the legend varies) caught Dorothy and Thomas in flagrante delicto, and Townshend decided the only proper response was to lock his wife up in Raynham Hall to prevent her from cheating on him again.  She stayed there for the rest of her life, dying in 1726 at the young age of forty, possibly of smallpox -- although if she was never allowed outside her room, you have to wonder who she caught it from.

Be that as it may, once Dorothy Walpole Townshend's sad and short life had ended, people started to report the presence of a specter haunting Raynham Hall.

The most famous of the encounters was with novelist Frederick Maryatt, who was a friend of Charles Dickens.  Maryatt's daughter, Florence, wrote in 1891 about her father's meeting with the Brown Lady :
…he took possession of the room in which the portrait of the apparition hung, and in which she had been often seen, and slept each night with a loaded revolver under his pillow.  For two days, however, he saw nothing, and the third was to be the limit of his stay.  On the third night, however, two young men (nephews of the baronet), knocked at his door as he was undressing to go to bed, and asked him to step over to their room (which was at the other end of the corridor), and give them his opinion on a new gun just arrived from London.  My father was in his shirt and trousers, but as the hour was late, and everybody had retired to rest except themselves, he prepared to accompany them as he was.  As they were leaving the room, he caught up his revolver, "in case you meet the Brown Lady," he said, laughing.  When the inspection of the gun was over, the young men in the same spirit declared they would accompany my father back again, "in case you meet the Brown Lady," they repeated, laughing also.  The three gentlemen therefore returned in company.
 
The corridor was long and dark, for the lights had been extinguished, but as they reached the middle of it, they saw the glimmer of a lamp coming towards them from the other end.  "One of the ladies going to visit the nurseries," whispered the young Townshends to my father.  Now the bedroom doors in that corridor faced each other, and each room had a double door with a space between, as is the case in many old-fashioned houses.  My father, as I have said, was in shirt and trousers only, and his native modesty made him feel uncomfortable, so he slipped within one of the outer doors (his friends following his example), in order to conceal himself until the lady should have passed by.
 
I have heard him describe how he watched her approaching nearer and nearer, through the chink of the door, until, as she was close enough for him to distinguish the colors and style of her costume, he recognised the figure as the facsimile of the portrait of "The Brown Lady."  He had his finger on the trigger of his revolver, and was about to demand it to stop and give the reason for its presence there, when the figure halted of its own accord before the door behind which he stood, and holding the lighted lamp she carried to her features, grinned in a malicious and diabolical manner at him.  This act so infuriated my father, who was anything but lamb-like in disposition, that he sprang into the corridor with a bound, and discharged the revolver right in her face.  The figure instantly disappeared -- the figure at which for several minutes three men had been looking together -- and the bullet passed through the outer door of the room on the opposite side of the corridor, and lodged in the panel of the inner one.  My father never attempted again to interfere with "The Brown Lady of Raynham."
Now, to be fair, Florence Maryatt isn't exactly what you might call an impartial witness.  She was heavily into spiritualism, and was the author of books with titles like There is No Death and The Spirit World.  So I'm inclined to take anything she says with a grain or two of salt.

Which, of course, I would have anyhow.

Maryatt, however, wasn't the only one to claim seeing the Brown Lady in person.  In 1936, a photographer named Hubert Provand, who worked for Country Life magazine, was taking photos of Raynham Hall for a feature article.  They were setting up for a shoot of the wide interior staircase when Provand's assistant, Indre Shira, pointed at "a vapoury form gradually assuming the appearance of a woman moving down the stairs towards us."  Provand took a photo of the apparition, which has since become one of the most famous ghost photographs ever:


The incident was investigated by Harry Price, a noted paranormal researcher whose reputation for accepting questionable evidence led to his leaving the skeptical and science-based Society for Psychical Research, and founding his own rival organization, the National Laboratory of Psychical Research, because the obvious answer to skepticism is to start a group that will see things your way.  (One of the more famous examples of Price's dubious approach to investigation was the debacle of Borley Rectory, the "most haunted house in England," the evidence for which subsequent inquiries found was almost entirely fabrication.)

For what it's worth, which is probably not much, Price declared the Brown Lady photograph authentic, saying "the negative is entirely innocent of any kind of faking."  But like Florence Maryatt, he's not exactly the most reliable source of information.  Further analysis showed that the image is most likely a double exposure (note the pale lines above the stair treads, and the double reflections on the bannisters).  The ghost figure itself shows a lot of similarity to a traditional Madonna statue, down to a foggy impression below the face that appears to be hands folded in prayer.

Even if the photograph is a fake, of course, it doesn't mean that the other accounts aren't true.  But at the moment, the story doesn't have much to recommend it -- other than a second-hand and probably biased account, and a famous photograph that is almost certainly a fake, the Brown Lady doesn't really hold up to scrutiny.

It's still kind of a cool story, however, and I'd love to visit Raynham Hall myself.  If I ever get to go, however, allow me to reassure Dorothy Walpole Townshend that I plan on being entirely unarmed, and even if I were to bring a gun for some reason, I'd never dream of shooting her in the face with it.  I mean, it's all very well to get scared in those kinds of situations, but that kind of breaches the rules of etiquette even so.

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Tuesday, January 18, 2022

The legion of ghosts

One of the questions I get asked the most often, in the context of skepticism and critical thinking, is, "What would it take to change your mind about the paranormal?"

My answer is that all it would take is one piece of hard evidence, observed under controlled conditions by unbiased researchers, that wasn't explainable by means of known, natural causes.

This may seem overly rigorous, and nothing more than a reason to discount all claims of the supernatural and forthwith stop thinking about any of it.  But really, what else could I say?  I've seen too many instances of people trying to be fair but honestly misinterpreting the evidence, as well as people exaggerating claims, relying on nothing but personal anecdote, falling victim to confirmation bias and dart-thrower's bias, or -- worst -- simply making shit up.

The difficulty, of course, is that some of those claims (well, not the last kind, obviously) might be true.  So how could we tell?  Might I, and other hard-headed skeptics, be discounting real phenomena in an overzealous attempt to winnow out the wheat from the chaff?

Let's look at one example that has some interesting features, and see if there might be something to it -- or if, as skeptics, we have to shrug our shoulders and put it in the "we dunno, but probably not" column.

One of the first big cities I spent any time in, on my first trip to England, was the lovely old city of York.  (I started out in Blackpool, but my general attitude was that the best thing you can do in Blackpool is get the fuck out of Blackpool.  No offense to any, um, Blackpudlians in the studio audience.)  Anyhow, like many old European cities, York plays host to a lot of claims of hauntings, and one of the most curious surrounds the Treasurer's House, near York Minster Cathedral.

The site has been the home of the Chief Treasurer of York Minster since the eleventh century, but of the original structure (and the first major overhaul, done in the twelfth), all that's left is one external wall and some masonry.  However, the house, in some form, has been continuously occupied since it was built in 1091, even if its original builders wouldn't recognize the place.

The Treasurer's House, York, England [image licensed under the Creative Commons Seasider53, Treasurer's House York, CC BY-SA 4.0]

Where it gets interesting, from a paranormal perspective, is that the house was built right on top of one of the main roads used when Britain was a Roman province.  However, that's not as impressive as it sounds, when you consider how many Roman roads there are in England:

Eboracum, in the north part of England, is the Roman settlement that ultimately became the city of York. [Image licensed under the Creative Commons Roman.Britain.roads, CC BY-SA 3.0]

Be that as it may, apparently the old road runs right underneath the house's foundation, and excavation in the basement uncovered four marble pedestals from pillars dating to second-century Roman occupation, one of which was left in place and the other moved to become a base for a modern column in the main hall.

So this at least provides some basis -- if, perhaps, not credence -- to an apparition seen in the house's basement multiple times, most famously in 1953, when a plumber, Harry Martindale, was called in to work on installing a central heating system.  Martindale, so the story goes, was standing on top of a ladder when he heard a noise, and turning in the direction of its apparent source saw something horrifying -- a man on horseback wearing "Roman-looking armor" coming right through the wall.  The horseman was followed by a group of men wearing helmets, green tunics over red kilts, carrying round shields and either short swords or spears.  They looked, Martindale said, tired, dirty, dejected, and miserable.  Several of them appeared to be ill or wounded, and the implements they carried (one of which was a long metal trumpet) were battered and dented.

Martindale, understandably, fell off the ladder.  The soldiers appeared to take no notice of the terrified young man in their midst.

Weirdest of all was something that Martindale noticed, and initially thought simply their short stature; looking more closely, he saw that he wasn't seeing their entire bodies, but their legs were seemingly cut off mid-calf, as if they were wading through the floor and not walking on it.  When they reached an area that had been excavated as part of the heating project, he saw that their lower legs and feet were actually there -- it looked as if they were walking on a surface forty centimeters below the floor.  They were wearing leather sandals, he said, with straps winding around their calves almost to the knee.

As he watched, they approached the wall across the room and went right through it, and one by one, vanished.

Martindale, scared out of his wits, ran up the stairs, right into the house's curator, who took one look at the white-faced young man and said, "By the look of you, you've seen the Romans!"

So, that's the core of the story.  Now, for a closer look at what we know.

First, Martindale turns out to be a pretty credible witness, as such things go.  He left the plumbing business (I would have, too), became a policeman, and died in 2014.  He told the story many times, and never changed a single detail -- and, most interestingly, refused several lucrative offers of payment for interviews and television appearances.

Second, there's the thing about the ghosts (if such they were) walking through, not on, the basement floor.  Further excavations done after Martindale's experience found the remains of the old Roman road -- forty centimeters underneath the current floor.  The ghosts, true believers say, were unaware of their current surroundings (including, fortunately, Martindale himself) and were walking on the road as it was fifteen centuries ago.

Third -- one of the criticisms of Martindale's claim is that the battle equipment and dress were wrong -- for one thing, the shields used by the Roman armies in Britain were square, not round.  But according to several sources I've seen (including the ones linked) it was discovered much later that in the fifth century, at which point the Romans were getting the snot beat out of them by the Angles and Saxons and were in the process of evacuating the entire island, York was defended by not by regular army but by a group of reserves -- who would have been dressed and armed exactly the way Martindale described, including with round shields.

Okay, so what do we conclude about all this?

Here's the difficulty.  The legend of the ghostly legion was well known by then; witness the curator's reaction.  It's unlikely that Martindale knew nothing of the house's reputation.  So as reliable as most sources consider Martindale to be, we have to admit the possibility that either (1) he made it up for reasons unknown or (2) got spooked by the stories of the haunting and let his imagination get the better of him.

On the plus side of the ledger, though, are the details of the apparitions themselves.  You'd think if someone were to make up a story about seeing ghostly Roman legionaries, they'd be the more conventional way we picture them -- shining armor, plumed helmets, and so on.  The fact that they appeared to be coming from a battle where they'd been battered to smithereens is a curious twist, but certainly consistent of what we know was happening in the north of England in the fifth century.

Also an odd feature is the thing about walking on the old road surface rather than the current basement floor, which strikes me as something no one would think to make up.  And Martindale himself was not prone to wild fancies.  He was apparently a plain-spoken, solidly blue-collar man, not college educated, and not the kind you'd think of as a spinner of strange tales.  (If I, for example, were to claim there were ghosts in my basement, my being a speculative fiction author would clearly weigh against my credibility.  We authors can come up with some bizarre stuff sometimes.  Still, I have to add that if I were to come up with a hoax-ghost-sighting story, there's no way even I would have thought of having them walk on a buried road surface.)

Still, it remains that we only have anecdotal evidence to go by.  The cellar is not open to the public (although tours are give of the rest of the house), but a CCTV was set up there to see if any ghosts, Roman or otherwise, would show up -- and so far, has captured nothing.

So you can label me "unconvinced but interested."  I'm not going to jump to a supernatural explanation until we've ruled out all the natural ones, or better yet, when we have hard, scientifically-sound evidence.  I think it was said best by, of all people, C. S. Lewis, in the person of his hard-headed skeptical character Andrew MacPhee in That Hideous Strength: "If anything wants Andrew MacPhee to believe in its existence, I’ll be obliged if it will present itself in full daylight, with a sufficient number of witnesses present, and not get shy if you hold up a camera or a thermometer."

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Since reading the classic book by Desmond Morris, The Naked Ape, when I was a freshman in college, I've been fascinated by the idea of looking at human behavior as if we were just another animal -- anthropology, as it were, through the eyes of an alien species.  When you do that, a lot of our sense of specialness and separateness simply evaporates.

The latest in this effort to analyze our behavior from an outside perspective is Pascal Boyer's Human Cultures Through the Scientific Lens: Essays in Evolutionary Cognitive Anthropology.  Why do we engage in rituals?  Why is religion nearly universal to all human cultures -- as is sports?  Where did the concept of a taboo come from, and why is it so often attached to something that -- if you think about it -- is just plain weird?

Boyer's essays challenge us to consider ourselves dispassionately, and really think about what we do.  It's a provocative, fascinating, controversial, and challenging book, and if you're curious about the phenomenon of culture, you should put it on your reading list.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]


Monday, October 25, 2021

Ghost purchases

It seems like every day I'm forced to face the unfortunate fact that I don't seem to understand my fellow humans very well.

All I have to do is to get on social media or -- worse -- read the news, and over and over again I think, "Why in the hell would someone do that?"  Or say that?  Or think that?  Now, I hasten to add that it's not that I believe everyone should think like me; far from it.  It's more that a lot of the stuff people argue about are either (1) matters of fact, that have been settled by science years ago, or (2) matters of opinion -- taste in art, music, books, food, television and movies, and so forth -- despite the fact that "matters of opinion" kind of by definition means "there's no objectively right answer."  In fact, at its basis, this penchant toward fighting endlessly over everything is a good first choice for "things I completely don't understand about people."

As an aside, this is why the thing I keep seeing on social media that goes, "What is your favorite _____, and why is it _____?" is so profoundly irritating.  (The latest one I saw, just this morning: "What is your favorite science fiction novel, and why is it Dune?")  I know it's meant to be funny, but (1) I've now seen it 873,915 times, and any humor value it might have started with is now long gone, and (2) my reaction every time is to say, "Who the fuck do you think you are, telling me what my favorite anything is?"

So, okay, maybe I need to lighten up a little.

Anyhow, this sense of mystification when I look around me goes all the way from the deeply important (e.g., how anyone can still think it's okay to smoke) to the entirely banal (e.g. people who start brawls when their favorite sports team loses).  A lot of things fall somewhere in the middle, though, and that includes the article I ran into a couple of days ago showing that people will pay significantly more for a house if it's supposedly haunted.

[Image is in the Public Domain]

The data, which came from the British marketing firm InventoryBase, looked at the prices people were willing to pay to purchase a house with an alleged ghost (or one that has a "bad reputation").  And far from being a detriment to selling, a sketchy past or resident specter is a genuine selling point.  Comparing sales prices to (1) the earlier purchase price for the same property, adjusted for inflation, and (2) the prices for comparable properties, InventoryBase found that the increase in value is significant.  In fact, in some cases, it's freakin' huge.

The most extreme example is the house in Rhode Island featured in the supposedly-based-upon-a-true-story movie The Conjuring, which was purchased for $439,000 (pre-movie) and sold for $1.2 million (post-movie).  It's hardly the only example.  The house in London that was the site of The Conjuring 2 is valued at £431,000 -- £100,000 more than it was appraised for in 2016.

Doesn't take a movie to make the price go up.  "The Cage," a house that was the site of a medieval prison in the village of St. Osyth in Essex, England, has been called one of the most haunted sites in Britain -- and is valued at 17% higher than comparable properties.  Even more extreme is 39 DeGrey Street in Hull, which has a 53% higher appraisal value than comparables -- despite the fact that the house has a reputation for such terrifying apparitions that "no one is willing to live in it."

InventoryBase found several examples of houses that were objectively worse than nearby similar homes -- badly in need of remodeling, problems with plumbing or wiring or even structure, general shabbiness -- but they still were selling for more money because they allegedly have supernatural residents.

I read this article with a sense of bafflement.  Now, to be fair, I'd be thrilled if it turned out my house actually was haunted, primarily because it would mean that my current opinion about an afterlife was wrong.  The problem is, at the same time I'm a great big coward, so the first time the ghost appeared I'd probably have a brain aneurysm, but at least then I could look forward to haunting the next resident, which could be kind of fun.

But if I was in the market for a house, it's hard for me to fathom spending tens (or hundreds) of thousands of dollars extra for the privilege of sharing my house with ghosts.  No, for the privilege of supposedly sharing my house with ghosts; I'm guessing in the Disclosure Statement there's no requirement for anyone to prove their house is actually haunted.  So I'd potentially be spending a year's worth of salary (or more) just for unsubstantiated bragging rights.

Anyhow, this brings me back to where I started, which is that I just don't understand my fellow humans.  A great deal of their behavior is frankly baffling to me.  Given how poorly I fit in with my blood relatives -- "black sheep of the family" doesn't even come close to describing it -- I've wondered for years if I might be a changeling.  The problem with that hypothesis is that I look exactly like my dad, so any contention that I'm not really his son is doomed to be shipwrecked on the rocks of hard evidence.

And like I said, it's not that I think my own view of the world is sacrosanct, or something.  I'm sure I'm just as weird as the next guy.  It's just that the ways I'm weird seem to be pretty different from the ways a lot of people are weird.

So maybe I shouldn't point fingers.  Other folks are weird; I'm weirdly weird.  Weird to the weirdth power.  This means that people are probably as mystified by my behavior as I am by theirs, which I guess is only fair.

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Some of the most enduring mysteries of linguistics (and archaeology) are written languages for which we have no dictionary -- no knowledge of the symbol-to-phoneme (or symbol-to-syllable, or symbol-to-concept) correspondences.

One of the most famous cases where that seemingly intractable problem was solved was the near-miraculous decipherment of the Linear B script of Crete by Alice Kober and Michael Ventris, but it bears keeping in mind that this wasn't the first time this kind of thing was accomplished.  In the early years of the nineteenth century, this was the situation with the Egyptian hieroglyphics -- until the code was cracked using the famous Rosetta Stone, by the dual efforts of Thomas Young of England and Jean-François Champollion of France.

This herculean, but ultimately successful, task is the subject of the fascinating book The Writing of the Gods: The Race to Decode the Rosetta Stone, by Edward Dolnick.  Dolnick doesn't just focus on the linguistic details, but tells the engrossing story of the rivalry between Young and Champollion, ending with Champollion beating Young to the solution -- and then dying of a stroke at the age of 41.  It's a story not only of a puzzle, but of two powerful and passionate personalities.  If you're an aficionado of languages, history, or Egypt, you definitely need to put this one on your to-read list.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]


Thursday, February 11, 2021

The haunting of Hinton Ampner

On her mom's side, my wife is descended from English nobility, a fact of which she reminds me periodically when I get uppity.  Her great-great grandfather, one William R. Hylton, was born in Jamaica to a family of British sugar planters, and the line (if you extend it back far enough) includes not only the Mad Baron Hylton (about whom I should write another time) but a woman named "Benedicta de Shelving," a member of the Norman gentry named "Marmaduke de Thweng," and best of all, an illegitimate daughter of King Edward IV.

One of her ancestors on the maternal side of her Hylton lineage is a Rachel (Ricketts) Johnson, who would have been (if I'm counting correctly) the aforementioned William R. Hylton's great-great grandmother.  I found out quite by accident that Rachel is related to the central figures in one of Britain's creepiest ghost stories -- the tale of the haunting of Hinton Ampner, a mansion in Hampshire.

Hinton Ampner was built in the 1620s, during the reign of James I, by one Sir Thomas Stewkeley.  Sir Thomas's great-grandson Hugh had no male heirs; his daughter, Mary, married Edward Stawell, a nobly-descended young man who was also apparently a little loose on the morals side.  Despite this, Stawell was appointed as Sir Hugh's heir.

After his father-in-law's death, Stawell apparently decided that he could get away with whatever he wanted, and he invited his wife's beautiful young sister, Honoria, to come live with them at Hinton Ampner.  Mary Stawell died shortly afterwards -- an eventuality that many of their neighbors found convenient -- and he lived there with Honoria (carrying on, sources say, in "a scandalous manner") until her death in 1754.  Stawell himself died the following year, and some claimed that the couple's demise was "divine retribution" for their having done away with an illegitimate child born to the union -- perhaps more than one.

Be that as it may, the house was purchased and then rented out to William Henry Ricketts (cousin to Carol's forebear Rachel (Ricketts) Johnson) and his wife, Mary (Jervis) Ricketts.  William was frequently away for long periods of time -- as I mentioned earlier, he and his family had ties to Jamaica, and voyages across the Atlantic were dangerous and drawn-out affairs -- but Mary was a no-nonsense, down-to-earth type who was quite up to the task of running a household (including their three children and a bevy of servants) by herself.

Whether she was up to dealing with ghosts remains to be seen.

The haunting, if such it was, started out slowly.  Mr. and Mrs. Ricketts both heard noises at night, prompting them on more than one occasion to awaken the servants for a thorough search of the house, which turned up nothing.  Then the nurse to the Ricketts's infant son saw a "man in drab clothes" walk into "the Yellow Room" -- Mary Ricketts's own bedroom.

Once again a search found no one.

Events accelerated.  Servants saw not only the apparition of the drab-clothed man, but a woman in a silk dress. "Dismal moans" were heard at night, and doors opened and quietly shut by themselves.  Mary Ricketts, at first scornful of the claims of the servants, began to experience them herself -- especially when the disturbances intensified while her husband was away in Jamaica in 1769.  She was terrified one night to hear heavy, plodding footsteps near her bed, and in the days following began to make inquiries in the neighborhood regarding the history of the house.  She found only one curious story -- an elderly man who said that a long-time friend of his, who was a carpenter, had been summoned to the house while old Sir Hugh Stewkeley was still alive to pull up some of the floorboards in the dining room.  The carpenter saw Stewkeley and his son-in-law, the depraved Edward Stawell, place something in the space underneath.  The carpenter was ordered to replace the floorboards -- and not to tell a soul what he'd seen, on pain of death.  (A threat the carpenter either didn't believe, or didn't break until Stewkeley and Stawell were both dead themselves.)

Oddly, Mary Ricketts didn't have the floorboards pried up to determine the truth of the claim.  She was apparently reluctant to ascribe the occurrences to ghosts.  But even she began to have second thoughts when the haunting continued to worsen.  A strange murmuring could be heard in several rooms in the house, which sometimes resolved itself into intelligible words. Not only did Mary hear it, but so did her brother, the famous British Navy officer Captain John Jervis, who wrote about it in his journal (a document that still exists today in a museum in London).  They also heard a tremendous "rushing sound," like a great wind, that would "fall with infinite velocity and force" upon a room, without a breath of air stirring.


[Image is in the Public Domain]

Mary wrote about the entire story herself in a narrative that was given for publication to The Gentleman's Magazine by her descendants in 1872.  Throughout the tale, Mary strikes you as sane, calm, and collected, always looking for rational explanations, and not immediately leaping to the conclusion that ghosts were to blame.  One passage reads as follows:
Thoroughly convinced there were persons in the lobby before I opened the door, I asked her [Mary's servant Elizabeth Godin] if she saw no one there.  On her replying in the negative, I went out to her, examined the window that was shut, looked under the couch, the only furniture of concealment there; the chimney board was fastened, and when removed all was clear behind it.  She found the door into the lobby shut, as it was every night.  After this examination, I stood in the middle of the room, pondering with astonishment, when suddenly the door that opens into the little recess leading to the yellow apartment sounded as if played to and fro by a person standing behind it.  This was more than I could bear unmoved.  I ran into the nursery and rang the bell there that goes into the men's apartment.
I think if it'd been me, "not unmoved" would have been putting it mildly.  I think I would have fallen more into the "pissing my pants and then having a stroke" category.

Eventually, however, even Mary's stalwart patience was tried to the limit.  During his stay, her brother -- who is certainly a credible witness if anyone is -- heard groans, banging, dragging footsteps, and (on one occasion) a gunshot.  None of the noises seemed to have a corporeal source.  Jervis pressed his sister to leave the mansion, which she did in 1771.  Its owners were understandably unable to find anyone else who would rent the place, and shortly afterwards Hinton Ampner was demolished.

Okay, I know, you can't put much weight into anecdote, but this story to me has some characteristics that have the ring of truth.  I think it's the open-endedness of it that is the most persuasive, and the most creepy as well.  A lot of ghost stories have predictable endings -- the haunting ends when a skeleton is unearthed and reburied in hallowed ground, when the guilty party is arrested for a murder, when well-deserved revenge is taken against a killer.  Here, we have two seemingly reliable people recounting experiences that have no easy wrap-up.  In the end, Mary Ricketts and her family moved away, John Jervis went on to win the Battle of St. Vincent, and the haunted house itself was torn down.

So I find this a pretty cool story, even though I wouldn't call myself a true believer by any stretch.  Cool, too, that we have a family connection to the main characters; in fact, Captain John Jervis had no children of his own and chose as his heir Mary's son Edward Jervis Ricketts, who spent his childhood in Hinton Ampner, and who would be Carol's third cousin several times removed.  But whether it's true or not, and whether the explanation is supernatural or entirely rational, I still think it's a good tale to add a few extra chills to a chilly gray day in midwinter.

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Science writer Elizabeth Kolbert established her reputation as a cutting-edge observer of the human global impact in her wonderful book The Sixth Extinction (which was a Skeptophilia Book of the Week a while back).  This week's book recommendation is her latest, which looks forward to where humanity might be going.

Under a White Sky: The Nature of the Future is an analysis of what Kolbert calls "our ten-thousand-year-long exercise in defying nature," something that immediately made me think of another book I've recommended -- the amazing The Control of Nature by John McPhee, the message of which was generally "when humans pit themselves against nature, nature always wins."  Kolbert takes a more nuanced view, and considers some of the efforts scientists are making to reverse the damage we've done, from conservation of severely endangered species to dealing with anthropogenic climate change.

It's a book that's always engaging and occasionally alarming, but overall, deeply optimistic about humanity's potential for making good choices.  Whether we turn that potential into reality is largely a function of educating ourselves regarding the precarious position into which we've placed ourselves -- and Kolbert's latest book is an excellent place to start.

[Note: if you purchase this book using the image/link below, part of the proceeds goes to support Skeptophilia!]