Skeptophilia (skep-to-fil-i-a) (n.) - the love of logical thought, skepticism, and thinking critically. Being an exploration of the applications of skeptical thinking to the world at large, with periodic excursions into linguistics, music, politics, cryptozoology, and why people keep seeing the face of Jesus on grilled cheese sandwiches.

Thursday, October 26, 2023

The Brown Lady of Raynham Hall

To continue with the seasonally-appropriate spookiness that's occupied us all week, today we're going to look at one of the more curious ghost stories I've heard -- the tale of the "Brown Lady," named after her drab clothing, who has been allegedly seen many times in Raynham Hall Manor in Norfolk, England.

I first ran across the story in a collection called 50 Great Ghost Stories by John Canning, which from the inscription inside the front cover -- "October 29, 1977 -- Mon cher ami -- mieux vaut tard que jamais -- Amélie" -- I received three days after my seventeenth birthday from a family friend.

It's a pretty cool book, although (like many of this ilk) it mixes myth and folklore with stories that actually have some historical veracity.  The tale of the Brown Lady is one of the second type, because the people involved are actual historical figures, although the evidence for the haunting itself is still a little on the sketchy side.

The facts of the case are pretty well documented.  Lady Dorothy Walpole (18 September 1686 - 29 March 1726), who was the sister of Robert Walpole, the first prime minister of England, was married to Charles Townshend, 2nd Viscount Townshend.  Townshend had been married before, to one Elizabeth Pelham, by whom he had five children; he and Dorothy Walpole had seven more, the youngest of which was the mother of Charles Cornwallis, who signed the surrender at the Siege of Yorktown and ended the American Revolutionary War.

Dorothy Walpole wasn't happy, however, partly because Charles Townshend was more interested in growing turnips (I shit you not) than in devoting himself to his wife and family, and also because supposedly he had a nasty temper, which I would too if I had to eat turnips.  Be that as it may, Dorothy Walpole Townshend sought solace elsewhere, but unfortunately for her, she chose Thomas Wharton, 1st Marquess of Wharton, as a lover.

Well, the story goes that either Townshend or Wharton's wife (the legend varies) caught Dorothy and Thomas in flagrante delicto, and Townshend decided the only proper response was to lock his wife up in Raynham Hall to prevent her from cheating on him again.  She stayed there for the rest of her life, dying in 1726 at the young age of forty, possibly of smallpox -- although if she was never allowed outside her room, you have to wonder who she caught it from.

Be that as it may, once Dorothy Walpole Townshend's sad and short life had ended, people started to report the presence of a specter haunting Raynham Hall.

The most famous of the encounters was with novelist Frederick Maryatt, who was a friend of Charles Dickens.  Maryatt's daughter, Florence, wrote in 1891 about her father's meeting with the Brown Lady :
…he took possession of the room in which the portrait of the apparition hung, and in which she had been often seen, and slept each night with a loaded revolver under his pillow.  For two days, however, he saw nothing, and the third was to be the limit of his stay.  On the third night, however, two young men (nephews of the baronet), knocked at his door as he was undressing to go to bed, and asked him to step over to their room (which was at the other end of the corridor), and give them his opinion on a new gun just arrived from London.  My father was in his shirt and trousers, but as the hour was late, and everybody had retired to rest except themselves, he prepared to accompany them as he was.  As they were leaving the room, he caught up his revolver, "in case you meet the Brown Lady," he said, laughing.  When the inspection of the gun was over, the young men in the same spirit declared they would accompany my father back again, "in case you meet the Brown Lady," they repeated, laughing also.  The three gentlemen therefore returned in company.
 
The corridor was long and dark, for the lights had been extinguished, but as they reached the middle of it, they saw the glimmer of a lamp coming towards them from the other end.  "One of the ladies going to visit the nurseries," whispered the young Townshends to my father.  Now the bedroom doors in that corridor faced each other, and each room had a double door with a space between, as is the case in many old-fashioned houses.  My father, as I have said, was in shirt and trousers only, and his native modesty made him feel uncomfortable, so he slipped within one of the outer doors (his friends following his example), in order to conceal himself until the lady should have passed by.
 
I have heard him describe how he watched her approaching nearer and nearer, through the chink of the door, until, as she was close enough for him to distinguish the colors and style of her costume, he recognised the figure as the facsimile of the portrait of "The Brown Lady."  He had his finger on the trigger of his revolver, and was about to demand it to stop and give the reason for its presence there, when the figure halted of its own accord before the door behind which he stood, and holding the lighted lamp she carried to her features, grinned in a malicious and diabolical manner at him.  This act so infuriated my father, who was anything but lamb-like in disposition, that he sprang into the corridor with a bound, and discharged the revolver right in her face.  The figure instantly disappeared -- the figure at which for several minutes three men had been looking together -- and the bullet passed through the outer door of the room on the opposite side of the corridor, and lodged in the panel of the inner one.  My father never attempted again to interfere with "The Brown Lady of Raynham."
Now, to be fair, Florence Maryatt isn't exactly what you might call an impartial witness.  She was heavily into spiritualism, and was the author of books with titles like There is No Death and The Spirit World.  So I'm inclined to take anything she says with a grain or two of salt.

Which, of course, I would have anyhow.

Maryatt, however, wasn't the only one to claim seeing the Brown Lady in person.  In 1936, a photographer named Hubert Provand, who worked for Country Life magazine, was taking photos of Raynham Hall for a feature article.  They were setting up for a shoot of the wide interior staircase when Provand's assistant, Indre Shira, pointed at "a vapoury form gradually assuming the appearance of a woman moving down the stairs towards us."  Provand took a photo of the apparition, which has since become one of the most famous ghost photographs ever:


The incident was investigated by Harry Price, a noted paranormal researcher whose reputation for accepting questionable evidence led to his leaving the skeptical and science-based Society for Psychical Research, and founding his own rival organization, the National Laboratory of Psychical Research, because the obvious answer to skepticism is to start a group that will see things your way.  (One of the more famous examples of Price's dubious approach to investigation was the debacle of Borley Rectory, the "most haunted house in England," the evidence for which subsequent inquiries found was almost entirely fabrication.)

For what it's worth, which is probably not much, Price declared the Brown Lady photograph authentic, saying "the negative is entirely innocent of any kind of faking."  But like Florence Maryatt, he's not exactly the most reliable source of information.  Further analysis showed that the image is most likely a double exposure (note the pale lines above the stair treads, and the double reflections on the bannisters).  The ghost figure itself shows a lot of similarity to a traditional Madonna statue, down to a foggy impression below the face that appears to be hands folded in prayer.

Even if the photograph is a fake, of course, it doesn't mean that the other accounts aren't true.  But at the moment, the story doesn't have much to recommend it -- other than a second-hand and probably biased account, and a famous photograph that is almost certainly a fake, the Brown Lady doesn't really hold up to scrutiny.

It's still kind of a cool story, however, and I'd love to visit Raynham Hall myself.  If I ever get to go, however, allow me to reassure Dorothy Walpole Townshend that I plan on being entirely unarmed, and even if I were to bring a gun for some reason, I'd never dream of shooting her in the face with it.  I mean, it's all very well to get scared in those kinds of situations, but that kind of breaches the rules of etiquette even so.

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Wednesday, October 25, 2023

The phantoms of Jedburgh Abbey

Jedburgh Abbey is a ruined Augustinian monastery near the town of the same name in Roxburghshire, Scotland, only ten miles from the border with England.  It has quite a storied history.  It was founded in 1118 by King David I (whose father, King Malcolm III Canmore, defeated the notorious Macbeth; whether Birnam Wood ever actually came to Dunsinane is another matter entirely).  It became one of the wealthiest abbeys in the Scottish border counties, and its abbot also made the mistake of supporting William Wallace.  This was a bad combination back then.  After Wallace's tragic defeat at the Battle of Falkirk in 1298, the victorious English ransacked and pillaged the abbey.  It recovered, only to be sacked several more times, and finally burned (along with nearly the entire town of Jedburgh) in 1523.

Even so -- and despite the Scottish Reformation pretty well doing away with all the Catholic monasteries in Scotland -- part of the building was still used as the parish kirk.  Finally, in 1871, it was deemed unsafe, and a new church was built; the remains of the abbey became a historical landmark, where it attracts tourists lo unto this very day.

It also is the home of a particularly terrifying pair of specters -- which, if you believe the ghost hunters, still sometimes can be seen stalking around the abbey grounds.

Jedburgh Abbey from the River by Thomas Girtin (1799) [Image is in the Public Domain]

King Alexander III of Scotland (1249-1286), whose great-great grandfather David I founded Jedburgh Abbey, had a terrible time of it even judging by medieval Scottish standards, where life was (in Thomas Hobbes's immortal words) "solitary, nasty, poor, brutish, and short."  He became king at age seven -- never a good way to start -- and his first years were dominated by a fight for power between two factions both determined to gain control over the young monarch.  He married Margaret Plantagenet, daughter of King Henry III of England, but this only served to give Henry incentive to demand fealty from Alexander, entangling Scotland in another of the long conflicts it had with its neighbor to the south.

Along the way, Alexander had what would turn out to be his only real victory; in 1263 the Scots defeated the invading force of King Haakon IV of Norway at the Battle of Largs, and in the treaty that ended the conflict, Scotland gained ownership of the Hebrides and the Isle of Man. 

But after that, things started to fall apart.  Alexander's wife Margaret died in 1275, and all three of his children by her had followed their mother into the grave by 1284.  As was typical of the time, Alexander started casting around for a second wife.  His only heir was his grandchild, the daughter of his deceased eldest child Margaret who had married King Eric II of Norway, grandson of the defeated Haakon IV -- but the girl (also named Margaret) was an infant... and still lived in Norway.

Here's where it takes an even darker turn.  Alexander fell for a woman named Yolande de Dreux, the daughter of a French nobleman.  Yolande reciprocated his attention, but there was a snag -- she was already betrothed, to a French knight named Eranton de Blois.  There's no historical certainty about what happened next, but according to the legend, Yolande conspired with one of her father's henchmen, the Comte de Montbar, to get de Blois out of the way, and he did -- via a dagger in the back.

The Abbot of Jedburgh demanded an investigation, but (predictably) nothing came of it.  Yolande was engaged to marry King Alexander, and the ceremony took place in the abbey church on November 1, 1285.

Everything was going forward with the typical medieval pomp and solemnity until the door of the church flew open with a bang, and an uninvited guest strode up the aisle, wearing armor and a tattered and bloodstained cloak.  When he reached the front of the church, the king said in a furious voice, "Who are you?"

At this point the figured lifted its visor, to reveal the decaying visage of a corpse.

De Montbar collapsed to the floor, writhing, and Yolande recoiled -- because, of course, they both recognized the dead man's face.  The specter pointed at Yolande and said, "Ask her.  My curse be on you and on her, the curse of the assassin's victim, treacherously ambushed and foully slain.  Hear me well, unhappy king.  Before three months have passed, they will sing masses for your soul in Jedburgh Abbey and she will be left a widow.  She will suffer the hatred of her people and will forever be reminded of her crimes."

Three months turned out to be an underestimate, but not by much.  On March 19, 1286, the king rode out after dark to join his wife at Kinghorn in Fifeshire, and the next morning was found at the bottom of a steep, rocky embankment with his neck broken.  Pragmatic folks said his horse lost its footing in the dark and threw its rider to his death; the more imaginative said it was the curse being fulfilled.  However it was, the whole thing propelled Scotland into chaos.  Alexander's granddaughter, Margaret, "Maid of Norway," died on board ship during the crossing to Scotland in 1290, leaving no heir to the throne.  The following years of civil war and repeated invasions from England (including the one that ultimately led to the brutal execution of William Wallace) only ended in 1306 with the coronation of Robert the Bruce.

As far as the rest of the "curse," it kind of... didn't happen.  There's no indication that Yolande was hated; she returned to France, where she remarried to Arthur II, Duke of Brittany, had six children of whom five reached adulthood, and lived to age 67 (neither of those a bad accomplishment back then).  She had received land in Scotland as a dowry for her first marriage and continued to manage it from over the Channel, apparently untroubled by the sordid story that was attached to her name.

But as for Alexander, death didn't bring him any peace.  Both his ghost and de Blois's have been seen on the abbey grounds, despite the fact that even the harshest versions of the legend didn't attach anything blameworthy to either one, and the spirits of the two people who were the real bad guys (Yolande and her murderous co-conspirator de Montbar) are nowhere to be found.  I guess there's no justice to be had, even in the afterlife.

Anyhow, that's today's creepy story, to continue in the same Halloween-y vein we've been in all week.  It makes a good tale even though the great likelihood is that large parts of it were made up after the fact.  But if you ever get a chance to visit Jedburgh, keep an eye out for phantoms.  A medieval king with a broken neck and a bloodied corpse in armor.  Shouldn't be hard to spot.

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Tuesday, October 24, 2023

Duplicating the crone

A pretty common belief in many different cultures is that inanimate objects can have, or can be imbued with, supernatural powers.

It's not like I haven't dealt with this topic before, here at Skeptophilia.  We've had posts about do-it-yourself voodoo dolls, a haunted wine cabinet, a cellphone that received texts from Satan, and a child's doll named "Robert" which shifts positions by itself, not to mention "giggling maniacally."

And that's just scratching the surface.  If you start asking people you'll find everything from the common and fairly innocuous belief in good luck charms (or in items that bring bad luck), all the way up to belief that there are objects that are cursed and/or inhabited by evil spirits capable of serious damage.

So far, nothing too unusual, although still examples of magical thinking that it'd be nice for the human race to jettison.  But just recently, there's been a technological twist added to all of this medieval superstition.

What if someone used a 3-D printer to make a perfect replica of a cursed object?

Of course, it opens up the question of "why would you want to?", but as we've seen over and over, asking that is not sufficient to dissuade people from doing something.

Brent Swancer, over at Mysterious Universe, tells us about some people who decided to copy a cursed object that's been nicknamed "the Crone of the Catskills." Here's how Swancer describes the object:
[The Crone is] a strange hand-carved statue supposedly found by some hikers stashed away and abandoned, quite possibly hidden, in a dim cave somewhere in the Catskill Mountains of New York.  The doll is creepy to say the least, with a length of filthy cord wrapped around its neck and rusty nails driven into its eyes, and it seems like the sort of thing most people would cringe at and leave lying where it was, but in this case the hikers took it home with them.
According to Swancer, the unnamed hikers lived to regret bringing it back with them, as immediately bad stuff began to happen, like bumps, thuds, and bangs, a feeling of being watched, and worst of all, "odd smells such as that of stagnant water or decay."

If you're thinking "what kind of idiot would find something like that and then bring it home?" it bears mention that I did something kind of similar a few years back.  My wife and I were hiking in the Finger Lakes National Forest not too far away from our home, and were a good ways off the beaten path, when I stepped over a log, and noticed that on the end of the log was...

... a Mardi Gras mask.

It was in perfect condition, and in fact looked like it had been placed there only moments before.  It was in October, the weather was cool, and we hadn't seen anyone else in the woods during our entire hike, so it's not like this was exactly a well-traveled part of the National Forest. So it was pretty bizarre, to put it mildly.

I said, "Hey, Carol, come take a look at this."

I picked up the mask, and put it over my face.  She regarded me with a raised eyebrow and said, "You do realize that if you were a character in one of your own novels, you'd be about to die right now?"


Undaunted, I brought it home, and hung it on the wall in my office. I did have a bit of a turn the next morning, when I walked into the room and found the mask in the middle of the floor.

Turned out the elastic loop had come loose.  So I reconnected it, and it's remained there quietly ever since.  No bumps, thuds, or bangs, and the only bad smells are when my dog decides to roll in Eau de Dead Squirrel and then comes to take a nap in my office.

Anyhow, all of this is just to say that if I'd found the Crone of the Catskills, I'd probably have taken it home, too.  The hikers who found her donated the Crone to the Traveling Museum of the Paranormal and Occult, and even afterwards it continued to do spooky stuff.  The Museum's owners, Dana Matthews and Greg Newkirk, report that after the Crone was obtained, furniture was found knocked over, there was the "smell of fetid pond water," and more than once they opened the place up in the morning to find small muddy footprints on the floor leading to and from the case the Crone occupied.

The Crone of the Catskills

So far, so good.  But the next thing that happened I have to admit I find a little baffling.  A pair of paranormal researchers, Karl Pfeiffer and Connor Randal, decided that it'd be a good idea to use a 3-D printer to make a replica of the Crone.

Havoc ensued.  The printer malfunctioned and a part of it "melted."  Other equipment broke down, or went missing entirely.  People in the room with the replica reported "a sense of dread" coming from the thing, and a "burning sensation" from touching it.

So apparently, the 3-D printer hadn't just copied the Crone's appearance, it had also copied its ghostly hanger-on.

Now, as a diehard skeptic, it's to be expected that I think this sounds a little silly.  But allow me to ask any true believers in the studio audience: how exactly could this work?

I mean, even if you accept that an object can be imbued with a "force" (whatever that means), isn't the usually accepted explanation that it's tied to the object itself?  If you made a copy of the object, you wouldn't expect a piece of the "force" to get knocked loose and attach itself to the replica.  Or at least, I wouldn't.  I didn't think that 3-D printers could make copies of ghosts, you know?

Which, honestly, is a good thing.  Just think of what would happen if you put a 3-D printer in a haunted house, and the ghosts got a hold of it and started duplicating themselves.  In short order, you'd have what paranormal researchers call "a shitload of ghosts."  It'd be a catastrophe, much like what happened in the Lost in Space episode "The Space Destructors," wherein Dr. Smith created an android who then began to create more androids, which was especially awful because the machine was programmed to make them look like Dr. Smith, or at least a reasonable facsimile thereof.


So it'd be unfortunate if the 3-D printer did make a copy of the evil spirit haunting the Crone of the Catskills.  That being said, if Pfeiffer and Randal have any extra copies of the Crone hanging around, I'd love to have one.  I've got a nice space on the shelf in my office where she could reside.  Also, if all she does is push furniture around and leave muddy footprints on the floor, my dog pretty much has that covered already.

I might even see if I can make a replica of my mysterious Mardi Gras mask, and we can do a swap.  I have to warn you, though, that the mask's antics are even less impressive than the Crone's.  "Falling on the floor once in four years" is really not that much of a superpower.

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Monday, October 23, 2023

The strange tale of Christopher Round

When I was maybe twelve years old, the highlight of school was getting the monthly Scholastic Books sale flier.

It had dozens of books, at prices that seem ridiculous by today's standards -- on the order of $0.99 for a paperback.  Even back then, I loved scary stories, and it's through Scholastic that I got my first copies of collections of stories by H. P. Lovecraft and Edgar Allen Poe.

Back then, in 1972, I saw a book in one month's flier I just had to get. It was called Haunted Houses, by Bernhardt. J. Hurwood, and at that point was a new release.  When it arrived a few weeks later, I read it eagerly, simultaneously scaring the absolute shit out of myself and running for the first time into such classic tales as the canine ghosts of Ballechin House, the screaming skulls of Calgarth, and the weirdly open-ended story of Nurse Black.

There was one story in the collection, though, that struck me as more sad than frightening.  It was titled "The Tragic Ghost of Cambridge University," and made enough of an impression that when I bumped into a reference to it yesterday on a website called "Ghosts that Haunt Seven Cambridge Colleges and the Stories Behind Them," I recognized it immediately -- and went to dig up my copy of Haunted Houses (yes, I still have it) that I hadn't looked at for something like thirty years or more.

It tells the tale of an academic fellow named Christopher Round, who was pursuing a degree in classics at Christ's College.  He was brilliant but shy, one of those sorts whom you barely notice until he says something, and then it turns out to be perceptive and interesting, much to your surprise.  This was why his classmate Philip Collier -- similar to Round in intellect, but outgoing, genial, and strikingly handsome -- outshone Round in just about every way you can imagine.

[Image licensed under the Creative Commons The wub, Christ's College, Cambridge - First Court 03, CC BY-SA 3.0]

No one else in their class was even close to the same caliber, but when it came to a competition, Round always came in second.  Even after graduation (both with honors -- but guess who got first place?), the rivalry continued, because both of them were accepted as Fellows of Christ's College.

Both applied for a professorship in Greek.  Once again, Collier won, and Round was forgotten.

All through this, their interactions were at least superficially friendly.  Round wasn't the combative type in any case, and it's doubtful that Collier even realized the damage he was doing.  From the outside, it looked like a perfectly ordinary relationship -- outgoing guy and his quiet, second-fiddle sidekick.

The final straw came when Round fell in love with a woman named Mary Clifford.  Mary was high society, and beautiful, and for a time it looked like things were at last going to turn in poor Christopher Round's favor.  But fate had other plans in store.  Mary's parents took her on a trip to Italy, and while traveling she bumped into a fellow Brit who was on holiday...

... Philip Collier.

When she returned, she reluctantly told Christopher Round that she'd fallen madly in love with his rival, and in fact, had accepted a proposal of marriage.  Round was devastated, but his habit of making light of his anger and jealousy once again triumphed.  He forced a smile and wished Mary well.  Relieved that he'd taken it so easily, Mary went her way, feeling like disaster had been averted.

But only a few weeks later, Round was walking back to his flat past the Fellows' Swimming Pool when he heard a noise.  Coming from the other direction was Philip Collier -- staggering drunk.  As he watched, Collier stumbled and fell in.  Although a good swimmer while sober, Collier was flailing, and reflexively Round looked for some way to help him.  There was a long wooden pole with a hook on the end lying along the hedge, used for catching things out or pushing them along the surface of the pool, and he picked it up, intending to hook Collier's clothing and help him out.

Then he thought, "Why should I do this?"  And before he could stop himself, he struck Philip Collier in the temple with the hook, and watched as his rival sank beneath the water and drowned.

Round expected to shine now that the man who had eclipsed him his entire adult life was dead, but it didn't happen.  Instead, he was consumed with remorse.  Mary Clifford, for her part, didn't go running back to him; it's uncertain if she was so sunk in grief herself that she couldn't think of romance, or if she perhaps suspected Round's role in Collier's death.  No legal investigation was ever launched.  Collier's death was ruled as accidental, so there was no worry about a hangman's noose looming in the future.

But Christopher Round was never to be the same.  He threw himself into academics, but even without Collier there to outshine him, he was unable to stand out.  He lived the rest of his life in obscurity, and his role in his rival's death only became known because he wrote out a full confession, with instructions that it was only to be unsealed fifty years after his death.

But his sad, remorseful ghost still haunts Christ's College, especially the grassy lawn by the swimming pool where Philip Collier died.  To this day, students see his stoop-shouldered figure at night, dressed in nineteenth-century garb, walking heavily along the pool, and finally disappearing without trace behind the yew hedge.

Good story, isn't it?  It's a staple in the "true tales of hauntings in Britain" books and websites, often alongside the more famous tales I alluded to at the beginning of this.

But there's just one thing more you might want to know.

It's fiction.

I'm not saying this because I'm being my usual snarky, skeptical self.  The tale of Christopher Round and Philip Collier is the subject of a novel called A College Mystery by Alfred Ponsford Baker, published in 1918, and there is no indication anywhere in the book that Baker thought it was a true story.  Worse still, for those who want it to be real, is the fact that there doesn't seem to be a mention of the story anywhere before the publication of Baker's book.  And a thorough scouring of Christ's College records from the eighteenth and nineteenth centuries shows no one named Christopher Round or Philip Collier, not only as Fellows (which surely would have been recorded -- especially Collier, who supposedly was appointed as Professor of Greek) but even as students.

So what is conveniently left out of the account in Hurwood's Haunted Houses -- and just about every other recounting of the story of Christopher Round -- is that the whole thing comes from a work of fiction.

It's funny how the urban legend tendency works, isn't it?  Something that might have started as an up-front made-up story that no one really takes seriously grows through accretion and somehow gains the veneer of veracity.  And once that happens -- once it's told somewhere as a True Tale of the Supernatural -- few people even think to check into the story's antecedents and see if it holds any water.

Just as well.  Christopher Round's sad, ill-fated, and ultimately tortured life is better off as a fictional tale, and even the murder victim Collier doesn't come off as very praiseworthy.  Makes a good story, though -- even if the whole thing seems to have sprung from the mind of a British novelist.

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Saturday, October 21, 2023

Hold on a moment

A couple of days ago I was in one of those First World Problems situations that is nonetheless extremely annoying: I was stuck on hold.

In this case, I was trying to get through to my auto dealer's service department, which was Experiencing Higher Than Average Call Volume.  It always is, even though any statistician could explain why that's impossible.  Anyhow, after being assured that My Call Is Extremely Important To Them, I was treated to twenty minutes of on-hold music.

It'd be one thing if it'd been some light classical music, or even smooth jazz, although the latter is really not my thing.  The on-hold music my auto dealership chose was some sort of weird electronica that sounded like a robot getting a blowjob from a dial-up modem.  There were random beeps and boops that were at least vaguely melodic, but it was accompanied by a synthesized percussion track that did nothing but go SHWACK-SHWACK-SHWACK over and over and over.

Presumably this is meant to be entertaining to the on-hold person.  Me, I wanted to throw the phone across the room.  On the other hand, if I'm being completely honest, I have that reaction to telephones in general.  If I were to rank my preferred means of long-distance communication, in order, they would be:

  1. email
  2. text
  3. direct message on social media
  4. literally every other form of communication ever invented, including carrier pigeon and Pony Express
  5. telephone

I have a Pavlovian response to the telephone ringing.  However, unlike Pavlov's dogs, when the bell rings I don't salivate, I swear loudly.

But I digress.

The phenomenon of on-hold music has been the subject of a good bit of research.  It's been around for a while; it was the brainchild of one Alfred Levy, who back in 1966 discovered it more or less accidentally when the telephones in the factory he owned started picking up a broadcast from the radio station next door, and customers on hold mentioned how nice it was not to have to wait in silence.  (He patented the idea, and here we are.)  In 2002, a study by Guéguen et al. found that music triggered people to underestimate the actual time they'd spent on hold.  Presumably this is an indication that the on-hold person found the experience more pleasant than waiting in silence would have been.  

This generates a problem, though; musical tastes vary dramatically.  So how do you decide what to treat your on-hold customers to?  A person who prefers Chopin preludes might not appreciate being forced to listen to "Closer" by Nine Inch Nails.

(Personally, I'd like either one.  I have ridiculously eclectic tastes in music.  When I put my iTunes on shuffle, it can cause musical whiplash as it goes from Yo-Yo Ma playing a Bach cello sonata directly into Linkin Park.)

[Image licensed under the Creative Commons Tim Parkinson, Man speaking on mobile phone, CC BY 2.0]

The solution was to use what the industry has nicknamed "beige music" -- tracks that are bland and inoffensive.  In a classic example of aiming for the middle and missing everybody, the unfortunate result is that by offending no one, it annoys the fuck out of just about everyone.  (Seriously; is there anyone out there who actually likes on-hold music?)  There's also the problem that music licensing fees are expensive, so rather than paying for music that's at least reasonably pleasant, many businesses go for the cheapest option, like one local place that simply cycles through the same eight bars of monotony for as long as you're on hold, only pausing periodically to remind you that Your Call Is Still Very Important To Us, No Stop Rolling Your Eyes Really We're Serious It Is.

Me, I'd vastly prefer silence to "beige music."  If I want to listen to music when I'm on hold, I can pull up iTunes and make my own choices.  Despite the research, I am always in a significantly worse mood after being subjected to a half-hour of Yanni or Kenny G than I would be simply left to my own thoughts.  After all, if I'm on hold, I know I'm going to be waiting for the Next Available Customer Representative; that's kind of the point.  Having to wait for the NACR, and simultaneously being forced to listen to music I hate, doubles the unpleasantness.

Maybe I'm unusual in this respect, I dunno.  If you believe Guéguen et al., there must be at least a few people who prefer on-hold music over silence.  It's possible that since I detest telephones anyhow, for me there's nothing that would improve the experience short of ending it sooner.  But unfortunately, on-hold music is here to stay, so I guess I'll have to continue putting up with nondescript smooth jazz, looped monotony, and the soundtrack to robot porn.

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Friday, October 20, 2023

Internet expertise

What is it with people trusting random laypeople over experts?

Okay, yeah, I know experts can be wrong, and credentials are not an unshakable guarantee that the person in question knows what they're talking about.  But still.  Why is it so hard to accept that an actual scientist, who has a Ph.D. in the field and has done real research, in general will know more about the topic than some dude on the internet?

The topic comes up because of a conversation I had with my athletic trainer yesterday.  He is pretty knowledgeable about all things fitness-related -- so while he's not a researcher or a scientist (something he'd tell you up front), he's certainly Better Than The Average Bear.  And he ran into an especially ridiculous example of the aforementioned phenomenon, which he was itching to show me as soon as I got there.

Without further ado, we have: the woman who thinks that the amino acid L-glutamine is so named because it is important for developing your glutes:

And of course, it must be right because she heard it from "the TikTok Fitness Girls, and they don't lie."

The whole thing reminds me of something I heard every damn year from students, which is that the ingredient sodium erythorbate in hotdogs and other processed meat products is made from ground-up earthworms, because "earthworm" and "erythorbate" sound a little bit alike.  (Actually, sodium erythorbate is an antioxidant that is chemically related to vitamin C, and is added to meat products as a preservative and antibacterial agent.)

But to return to the broader point, why is it so hard to accept that people who have studied a subject actually... know a lot about the subject?  Instead, people trust shit like:

And I feel obliged to make my usual disclaimer that I am not making any of the above up.

I wonder how much of this attitude, especially here in the United States, comes from the egalitarian mindset being misapplied -- that "everyone should have the same basic rights" spills over into "everyone's opinion is equally valid."  I recall back when George W. Bush was running for president, there was a significant slice of voters who liked him because he came across as a "regular guy -- someone you could sit down and have a beer with."  He wasn't an "intellectual elite" (heaven knows that much was true enough).  

And I remember reacting to that with sheer bafflement.  Hell, I know I'm not smart enough to be president.  I want someone way more intelligent than I am to be running the country.  Why is "Vote Bush -- He's Just As Dumb As You Are" considered some kind of reasonable campaign slogan?

I think the same thing is going on here -- people hear about the new health miracle from Some Guy Online, and it sounds vaguely plausible, so they give more credence to him than they do to an actual expert (who uses big complicated words and doesn't necessarily give you easy solutions to your health problems).  If you don't have a background in biological science yourself, maybe it sounds like it might work, so you figure you'll give it a try.  After that, wishful thinking and the placebo effect do the rest of the heavy lifting, and pretty soon you're naked in the park sunning your nether orifice.

There's a willful part of this, though.  There comes a point where it crosses the line from simple ignorance into actual stupidity.  To go back to my original example, a thirty-second Google search would tell you that L-glutamine has nothing to do with your glutes.  (In fact, the two words don't come from the same root, even though they sound alike; glutamine comes from the Latin gluten, meaning "sticky," and glutes comes from the Greek Î³Î»Î¿Ï…τός, meaning buttocks.)  To believe that L-glutamine will develop your glutes because the TikTok Fitness Girls say so, you need to be not only (1) ignorant, but (2) gullible, and (3) uninterested in learning any better.

And that, I find incomprehensible.

I'll end with the famous quote from Isaac Asimov, which seems to sum up the whole bizarre thing about as well as anyone could: "There is a cult of ignorance in the United States, and there has always been.  The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'"

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Thursday, October 19, 2023

Folie à deux

One of the long-standing unanswered questions in medical science is the role of the mind in physical health.

A well-known example is the placebo effect, the reduction or elimination of symptoms in an ill person from taking a "medicine" with no active ingredients.  Less known, but also well documented, is the nocebo effect, where someone believes they will come to harm, often from supernatural means -- as in voodoo curses -- and then actually does.  (Placebo and nocebo come from Latin, and mean "I will please" and "I will harm," respectively.)

The mechanism by which this could occur is poorly understood at best.  We do know that in situations of high emotional or mental stress, the body produces hormones like adrenaline and cortisol, which can have long-term deleterious effects (thus the connection between stress and inflammatory diseases), but it seems like there must be more to it than that.

And that's not even as complicated as it gets.  Consider, for example, folie à deux -- also called shared psychosis -- when two people experience the same strange delusions.  How this happens and the mechanism by which it works are unknown, and the results can be nothing short of bizarre.

[Image is in the Public Domain courtesy of its creator, Chitrapa]

The best example I've ever heard of folie à deux is the case of June and Jennifer Gibbons.  The two were identical twins, born in 1963 in Yemen to British subjects originally from Barbados.  By 1974 the girls, their parents, and three other (completely normal) siblings were living in Haverfordwest, Wales, where their father worked as a Royal Air Force technician and their mother was a homemaker.

The twins started exhibiting odd behavior as toddlers.  They rarely spoke except to each other, and their conversations were conducted in a largely invented language based in part on a sped-up version of Bajan Creole.  (Siblings inventing their own private language isn't that uncommon, and is called idioglossia; but here, the twins seemed entirely unwilling to speak in English, nor to anyone but each other.)

The parents, and the girls' teachers, tried everything they could think of to break this strange link.  Sending them to separate boarding schools completely backfired; both girls became catatonic, refusing to eat or move until they were reunited.  The one way they would let anyone else know what was happening in their minds was through writing.  Given a gift of diaries when they were sixteen years old, they began writing elaborate stories -- but filled with violence and disturbing imagery.

In 1981, following a string of petty crimes they were accused of, the twins were committed to Broadmoor Hospital, where they were eventually to spend twelve years.  And this is where things took an even more peculiar turn, because they told the staff at Broadmoor that the only way one of them would live a normal life is if the other died.  It didn't matter which; to break the spell required one of them to die, after which the other would go on to speak, act, and live normally.

In 1993, they were transferred to Caswell Clinic in Bridgend, Wales, and upon arrival, Jennifer was found to be unresponsive.  She was admitted to the hospital where she lingered, comatose, for a week, but finally died due to what an autopsy found to be acute myocarditis (inflammation of the heart).  Strangest of all, there were no drugs, poisons, or infectious agents in her system that could be found to explain the illness, and the inquest ended with a finding of "ultimate cause of death unknown."

A week after her sister's death, June told a therapist, "I'm free at last, liberated, and at last Jennifer has given up her life for me," and described the moment of Jennifer's death as hitting her "like a tsunami."  She was monitored by psychiatric services for several years, but eventually was discharged, because -- exactly as the sisters had predicted -- the survivor had begun living an entirely normal life.  By 2008 June had a flat near her parents in a small village in western Wales, and was working and socializing like any ordinary person would.

What on earth could have caused this bizarre situation?

The simple answer is "we have no idea."  There is nothing in what is known of the Gibbons family's background that could account for it; judging by statements from the twins' siblings, they seem to have been a completely ordinary working-class family.  Strangest of all is the circumstances that severed the connection between Jennifer and June.  Did Jennifer Gibbons actually "will herself to die" to free her sister, or was there something more sinister going on?  What was the nature of the link between them -- and how can we account for the medical and psychological manifestations of it?

Once again, there are no clear answers.  We're left with more questions -- particularly, how the mind creates the world of perception we live in, and how it can go so drastically wrong for certain unfortunate people.  The treatment of psychiatric illness is certainly far better than it was even forty years ago, when the Gibbons twins started their decade of life in Broadmoor, but we're still largely in the dark about how the mind works -- and how it can so profoundly affect the body in which it resides.

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